Word: beethovens
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...bianzhong, a fully intact set of 65 ceremonial bronze chimes entombed in China's Hubei province in 433 B.C. and dug up by amazed archaeologists 2,400 years later. Then the Hong Kong Philharmonic steals in with a simple yet radiant tune in D major--the key of Beethoven's Ode to Joy--and a children's choir begins to sing, accompanied by the soft throb of Chinese drums pounding out an African-flavored beat...
...Symphony 1997 take off so quickly? One reason is that it is both frankly romantic and immediately accessible--Beethoven's Ninth boldly recast for postmoderns, right down to the climactic anthem in which the children's choir sings ecstatically of the prospect of world peace. The work's user-friendly tone, Tan says, is no accident: "If you ask young people of today to listen to a 20-minute-long symphonic movement, nobody really has the patience to listen--not even me! This is why the symphony is in 13 short movements. It's like paragraphs: each section...
...symphonies and concertos but to the music of village rituals. "It's more like a language than music," he recalls. "Soundwise, it's like the texture of wind." At 19, while playing violin in a Beijing opera company, he heard his first piece of Western classical music, Beethoven's Fifth Symphony, which opened up a whole new world of sonic possibilities. He went to New York City to study composition in 1986, and has lived there ever since. "New York is the best place for me," he explains. "It's everybody from everywhere, and something new comes...
After hearing a piece played by scores of soloists from myriad eras and traditions, it's rare that a performer can tell you something new. But so it was with Christian Zacharias, whose performance of Beethoven's Fourth Piano Concerto highlighted an otherwise lackluster afternoon at Tanglewood Sunday. Zacharias gave such a spirited reading of the concerto's finale that the audience rose almost immediately with the last chord...
...basses set an appropriately crisp beat in the Beethoven and later in Brahms' Third Symphony, but no other strings showed any desire to match their attention. Adding embarrassment to injury, the first violins and cellos clearly faked several sections in the first movement, including the arpeggios that accompany the main theme...