Word: beethovens
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...popular course showcases five pieces of music--Beethoven's ninth symphony, Handel's "Messiah," Stravinsky's "Le sacre du printemps," Monteverdi's "Orfeo" and Berlioz's "Symphonie fantastique"--and examines the cultural context of their first performances...
...dewy score is always there to tell you what to feel. The film is symptomatic of a Hollywood that has forgotten subtlety. The comedies are gross, the thrillers sadistic, the dramas moral tales for preschoolers. At least Mr. Holland gives you some good music (Gershwin, Ray Charles, three Beethoven symphonies) to hum along with while you cry. It's a greatest-hits album, with Kleenex...
...ever there was a monument to the Western Canon, Paine Hall is it. High above the audience, in proud brass letters, the names of the Great Composers--Beethoven, Schubert, Bach--remind us that we are in a temple of culture, to be enlightened by the best music from the best minds in history. The literal presence of these great names only emphasized the question posed by last Sunday's concert: is that tradition still alive, and does John Harbison belong...
Born in Pittsburgh, Pennsylvania, Wild was sight-reading by age six, his fluid technique already a source of wonder. As a teenage student of the formidable Egon Petri (a tough, intellectual pianist renowned for his sturdy Liszt and penetrating Beethoven performances), Wild was already a concert-hall veteran, a kind of young American version of Vladimir Horowitz. In 1942, the legendary Arturo Toscanini invited him to play Gershwin's Rhapsody in Blue with the NBC Symphony. Wild remains the only American soloist ever to play under the fiery Italian maestro...
Whether playing a finger-twisting show-stopper like Leopold Godowsky's Symphonic Metamorphosis on Themes from Johann Strauss II's "Artist's Life," or kiddin' on the keys with Gershwin's Fascinating Rhythm, or digging into one of the late Beethoven sonatas, Wild brings the same impeccable attention to structure and detail. "I spend a lot of time with these pieces," he says, "because if you don't know them thoroughly, you're just struggling like crazy to play the notes. But when you hear middle voices and the other details--when you have the tones in your head...