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Chamber Concert. The Kneisel Quartette, assisted by Mr. Max Zach. Sanders Theatre, 7.45 p. m. Programme: Grieg, Quartette in G minor; Beethoven, Theme and Variations from Quartette in A, op. 18; Brahms, Quintette...

Author: NO WRITER ATTRIBUTED | Title: University Calendar. | 3/13/1900 | See Source »

Chamber Concert. The Kneisel Quartette, assisted by Mr. Max Zach. Sanders Theatre, 7.45 p. m. Programme: Grieg, Quartette in G minor; Beethoven, Theme and Variations from Quartette in A, op. 18; Brahms, Quintette...

Author: NO WRITER ATTRIBUTED | Title: University Calendar. | 3/10/1900 | See Source »

Programme: Smetana, Overture ("The Bartered Bride"); Beethoven, Concerto for Pianoforte, No. 4; Paine, Moorish Dances; Schumann, Symphony...

Author: NO WRITER ATTRIBUTED | Title: University Calendar. | 3/10/1900 | See Source »

...emotions, and the intellect. Music is also of three distinct kinds, which represent a gradual development,--first, pure music, expressing no thought, simple in its intrinsic beauty; second, "programme" music, supposed to represent or to imitate real life; and third, dramatic music, which is the accompaniment of poetry. Beethoven's music exemplified the first kind, but failed in the second, the "programme" music. It remained for Schubert to immortalize dramatic music in the song. His ability to set any verse to music was remarkable, and his general productiveness during the fifteen years that cover the period of his compositions...

Author: NO WRITER ATTRIBUTED | Title: Schubert and the Song. | 3/6/1900 | See Source »

Three lectures on "Modern Music; Beethoven, Schubert, Wagner," by Mr. T. M. Osborne '84, in the Lecture Room of the Fogg Museum, beginning at 8 p. m. on the dates given below. These lectures are not of a technical character, and are illustrated by pianoforte and vocal selections. Open to the public. The remaining lectures are as follows; Mar. 5, Schubert and the Song; April 2, Wagner and the Opera...

Author: NO WRITER ATTRIBUTED | Title: University Calendar | 3/3/1900 | See Source »

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