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Last week a picture was exhibited in Boston-"St. Martin and the Beggar" by El Greco. Carlos Meinhard of the Howard Young Galleries brought the picture to Boston; it had come to him from the collection of John Singer Sargent who owned it for 30 years, allowing it to be shown in public only once-at the exhibition of Spanish art in London in 1895. There is talk now that the Boston Museum of Fine Arts will buy it, give it a place beside two other El Grecos that hang there, "St. Dominic" and the Portrait of Fray Feliz Hortenzio...

Author: /time Magazine | Title: Art: Theotocopuli | 11/29/1926 | See Source »

...fractious Chinaboy who invented printing, by accident, through getting jam on his father's carvings. Another was of the sea-dwelling Shen (demons) who inundated a great city to expand their province but were later outwitted by the wisest of kings. There was Weng Fu, the wit-wandering beggar who sold himself as a father to an orphan boy in the Street of Wang's Broken Tea Cup near the Seven Thieves Market, and "that lazy Ah Fun" who blew up his honorable father with the bed-stove, broooomp! All these things and many more Mr. Chrisman noted...

Author: /time Magazine | Title: Books: Week | 11/8/1926 | See Source »

...seasons ago a stimulating comedy, hight "Beggar on Horseback", graced our stage. It was the translation by two young men, Connelly and Kaufman, of a German idea into American manners and language. They were acclaimed, justly, as play-wrights of promise and the world settled back to await more words of wisdom from them. In time, their partnership was dissolved but now one of them has broken his silence. Which leads us, not altogether inevitably, to Marc Connelly's latest play, "The Wisdom Tooth", now at the Hollis...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 10/27/1926 | See Source »

...cogency of which we feel to be overwhelming. Granting the dramatist's premises--a concession we are absolutely unwilling to make--the proof of his thesis is not completely convincing. And the treatment of his theme is not startlingly revolutionary. Aside from the obvious shadow of the "Beggar on Horseback", here is more than a suggestion of Barrie, and even a hint--God save the mark--of Maeterlinck. It is probably in the manner of its telling that the reason can be found for the strangely unsatisfying quality of the play. Undeniably it is written badly. There are moments when...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 10/27/1926 | See Source »

...legged beggar on a railroad track...

Author: /time Magazine | Title: View with Alarm: Oct. 25, 1926 | 10/25/1926 | See Source »

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