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...third act, when Brecht pulls out all the stops the posturing of Peter Kazaras, who plays Mack the Knife, becomes appropriate and effective. Mack is to be hanged. His friend, the police commissioner, is powerless, terrified at a beggar king's threats to send an army of professional paupers to disrupt Queen Victoria's coronation unless Mack is executed. Kazaras rises to the occasion. "What is the robbing of a bank to the founding of one?" he asks. A mounted messenger promptly rushes up to knight him, though Brecht reassures us that real life would not have come...

Author: By Seth Kupjerberg, | Title: Overcoming Obstacles | 11/11/1972 | See Source »

...novel will be made into a movie next year. That should surprise no one, since it is seeded with cinematic possibilities, including a chase by a legless beggar on a skateboard. The film ought to be shot in black and white, since that is what the book is about...

Author: /time Magazine | Title: Books: Black and White | 7/17/1972 | See Source »

...ever refused more than Georges de La Tour," remarks Art Historian Jacques Thuillier. "There was never a great painter who created a narrower universe." He painted no landscapes. no buildings, no ruins, and hardly any animals beyond St. Peter's rooster and a fly perched on a blind beggar's hurdy-gurdy; the sole object of his scrutiny was man and woman and their intimate possessions - the texture and sheen of velvet, the transparency of a glass, or (as in the Wrightsman Magdalen) the exact difference in the highlights that a tallow flame creates on the bone...

Author: /time Magazine | Title: Art: An Analytical Stillness | 7/3/1972 | See Source »

...BEGGAR'S OPERA by JOHN...

Author: /time Magazine | Title: The Theater: All Is Human | 6/12/1972 | See Source »

...Threepenny Opera, Bertolt Brecht refined the characters that Gay created, while Kurt Weill provided a tart and tangy score that is one of the marvels of the musical theater. The juice of art and life, however, flows richly enough through the original Beggar's Opera. The dominant motif-Gay's as well as Brecht's-is that money is thicker than blood. By now, the characters are classic, and they all live up to their names: Peachum (Gordon Cornell), the informer and fence; Lockit (Ralston Hill), the venal jailer of Newgate; and MacHeath (Timothy Jerome), the saucy...

Author: /time Magazine | Title: The Theater: All Is Human | 6/12/1972 | See Source »

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