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...break into song. And for some strange, wrong reason -perhaps to give the show an elevated, operatic tone-the actors speak in precise, cultivated accents that are miles away from the Negro slums of South Carolina. For that matter, Sidney Poitier's Porgy is not the dirty, ragtag beggar of the Heyward script, but a well-scrubbed young romantic hero who is never seen taking a penny from anybody. And Dorothy Dandridge, who emphasizes the elegance of her bones more than the sins of the flesh, makes something of a nice Nellie out of bad Bess...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 6, 1959 | 7/6/1959 | See Source »

...Clement's direction achieves its effects brilliantly. In term of motion picture artistry. Gervaise constitutes a nearly perfect effort (although the Brattle's projection technique leaves something to be desired.) Clement's slight humorous touches (which are almost forgotten in the depression of the climax) are masterstrokes: a beggar quietly switching his sign from "Aveugle" to "Sourd et Buet," the ridiculously bad singing of a guest at Gervaise's birthday party...

Author: By Peter J. Rothenberg, | Title: Gervaise | 3/23/1959 | See Source »

...regent, sheiks, nawabs, rahs and dewans of postage-stamp domains from Sark in the English Channel to Sikkim on the edge of Tibet. The Nawab of Amb, a country that is gradually being swallowed up by Pakistan, told Sack of his philanthropies (he had just given 60?to a beggar, $3.60 to an orphanage). Then, too, his son, the Nawab Zada, has had difficulties (excessive wenching and cheating on exams) at two missionary colleges in Pakistan, but now has his sights set on Harvard...

Author: /time Magazine | Title: Books: The Wily Wali | 3/16/1959 | See Source »

...There a beggar goes...

Author: /time Magazine | Title: The Press: Haiku Is Here | 2/2/1959 | See Source »

...Good Samaritan, in favor of St. Martin of Tours, a 4th century Roman soldier. Something of a Samaritan himself, St. Martin, in the depths of the drastic, winter of 332 A.D. in France, cut his cloak in two with his sword and gave half to a freezing beggar. To give full scope to his heroic theme, Milles carved a 14-ft.-high figure of St. Martin on horseback splitting his cloak, and the beggar, hand upraised, at the base of the pedestal...

Author: /time Magazine | Title: Art: St. Martin in K.C. | 9/29/1958 | See Source »

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