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Word: begin (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Finally, the nuclear giants are reacting to pressure from the non-nuclear nations to begin serious talks. If these nations are to ratify the Nuclear Proliferation Treaty now pending (a treaty sponsored jointly by the U. S. and USSR), they will demand from both countries concrete assurances against a spiraling arms race...

Author: By Thomas Geochegan, | Title: Armanents An Ounce of SALT | 11/18/1969 | See Source »

Goodell told the gathering, "We are not here to break a President or even a Vice-President. We are here to break a war and to begin a peace...

Author: By Theodore Sedgwick, | Title: D. C. Protest Generally Peaceful; Over 250,000 Demand End To War | 11/17/1969 | See Source »

...omitting foreground objects and shoving the characters up against backdrops, divorcing their plain flat facial lighting from the elaborate play of shadows on the flat sets. When the characters decide to join this trivial game of love, the bright spots of light dancing on the walls behind them begin to hit their faces, and the circle of love-affairs begins...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer La Ronde at the Harvard Square through Tuesday | 11/15/1969 | See Source »

...SECOND episode's equally long tracks begin to place dark foreground objects before the characters, creating a more typical Ophuls space, even as we move from a light comedy (the soldier and the whore) toward more serious affairs. The third is a brilliantly played will-he-or-won't-he-fall skit, full of characters walking to and from each other through luxurious rooms, and using astounding angled shots and hard cuts. The fourth episode involves us in a more deeply felt assignation-and so the drama proceeds. Walbrook's appearances becoming rarer and shorter...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer La Ronde at the Harvard Square through Tuesday | 11/15/1969 | See Source »

...depth and emotional impact of particular characters are not Ophuls' sole aims. Toward the end, as characters and episodes come faster and the unifies of time and space begin to soften, a certain flattening of emotions increases. In the last episode memory breaks down, events lose their poignancy, and the number of characters prevents deep involvement with any of them. A quality of regret and detachment, of precise character-description without emotional immediacy, leads us out of the drama as it completes its circular plan. Ophuls, like Sirk, believes that art should establish distances...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer La Ronde at the Harvard Square through Tuesday | 11/15/1969 | See Source »

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