Word: behaviorisms
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...distinct survival profiles - the most significant being time. Most shipwrecks are comparatively slow-motion disasters, but there are varying degrees of slow. The Lusitania slipped below the waves a scant 18 min. after the German torpedo hit it. The Titanic stayed afloat for 2 hr. 40 min. - and human behavior differed accordingly. On the Lusitania, the authors of the new paper wrote, "the short-run flight impulse dominated behavior. On the slowly sinking Titanic, there was time for socially determined behavioral patterns to reemerge...
That theory fits perfectly with the survival data, as all of the Lusitania's passengers were more likely to engage in what's known as selfish rationality - a behavior that's every bit as me-centered as it sounds and that provides an edge to strong, younger males in particular. On the Titanic, the rules concerning gender, class and the gentle treatment of children - in other words, good manners - had a chance to assert themselves...
...identifying lending-industry situations in FICO Score Trends that to our knowledge have never been seen before," said Mark Greene, CEO of FICO, in the report. "Economic instability is creating unknown risk in lenders' credit portfolios as well as counter-intuitive trends in consumer behavior...
...biggest reason for the change in customers' credit behavior has to do with falling housing prices. For a long time, a house was the largest asset of most people. But according to a recent study from housing-value tracker Zillow.com, about 20% of all homeowners are now underwater on their mortgage, meaning they owe more than their house is worth. With housing prices still falling, many see little value in holding on to their home. In fact, some mortgage experts have recommended that individuals walk away from their home loan, repair their credit and start again. (See the worst business...
Despite the abundance of talent in the play, however, not all of the acting resonates. Salter’s performance as Taylor is particularly grating. She has the difficult task of playing an awkward character with many psychological and personal issues whose behavior annoys nearly everyone in the play, and she overacts the part. Her lines are occasionally too forceful, her emotional reactions too choppy, and her gestures barely contained within the bounds of the set. In the first scene in which she drunkenly verbally spars with Benton, Salter is uncomfortable to watch, gesturing dramatically, speaking too angrily, and overacting...