Word: behinders
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Dates: during 1950-1959
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While the West was growing 29% in population, the Central states registered a just-average 15%, the South lagged behind the national average with 13.5%, and the East lagged even further with just under 10%. Four states actually shrank in population during 1950-58: Arkansas, 8%; West Virginia, 2%; Vermont. 1.5%; Mississippi, 1%. Most striking exceptions to the slowish growth patterns of the East and South: Delaware's population expanded no less than 40% (rapid industrial growth drew in a lot of newcomers), Florida's a boom-sized...
...colonist shot his black houseboy to death for throwing stones at his dog. Arrested, he duly went on trial before an all-white jury. In times past he could expect acquittal or, at worst, a conviction for manslaughter. But a new colonial government has promised to "put the darkness behind us" in Kenya (TIME, Nov. 23), and last week Peter Harold Richard Poole, 28, became the first white man in the colony's history to be sentenced to death for the murder of a black...
After cranberries, caponettes. Secretary of Health, Education and Welfare Arthur S. Flemming took aim last week at the plump, premium-priced table fowl, gave them both barrels, and shot down the nation's entire supply. Behind his action lay some farfetched reasoning that the chemical used to caponize young chickens and make them into capettes or caponettes might conceivably induce cancer in the consumer...
Four seasons ago they began quietly showing up in the wooden stands behind Natchez (Miss.) High School, and strolling with practiced nonchalance across the field after the game to introduce themselves to the kid with the whiplash passing arm. By the end of this year, there was hardly a football coach in the South who had not cast covetous eyes on Perry Lee ("The Gun") Dunn, 18-year-old son of a Natchez factory worker. For Perry Lee is a quarterback with the roughhewn build of a tackle (6 ft. 1½ in., 207 Ibs.). As a senior...
...behind the footlights, Anne Bancroft is always the serious, controlled artist, whose features can change from tenderness to humor to ferocity to sultriness with astonishing ease and conviction. Says her sometime acting coach, Herbert Berghof: "She is like a little daughter of Anna Magnani." In Miracle Worker, she is completely in charge of an extraordinarily demanding role, a role that requires of the actress what it required of Annie Sullivan in real life: the sensitivity of a poet and the strength of a piano mover. It is a role that is doubly difficult because it demands a violation...