Search Details

Word: behinds (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

Like private wire tappers, Federal wire tappers work in a number of ways-clipping connections, installing induction coils in receivers, attaching amplifiers to the walls behind instruments and listening from an adjoining room-all of which are frowned on by telephone companies. American Telephone & Telegraph, which appeared as a "friend of the court" in the first U. S. Supreme Court case to urge that telephone conversations are private property, cooperates with Federal agents if necessary but has long been campaigning for an act of Congress to outlaw the practice altogether...

Author: /time Magazine | Title: BOARDS & BUREAUS: Wire Tappers | 1/3/1938 | See Source »

After a flying visit and a peek behind the strict censorship, tightened when Vargas took over absolute power with a new constitution two months ago (TIME, Nov. 22), Author Davis reported: "The present regime in Brazil is the stark, unabashed personal dictatorship by Getulio Vargas, the President. . . . The secret of his power is in the manipulation of army officers. . . . As long as he can control a majority of the army he is safe. He also tries to secure the backing of business and has now the support of the majority, who are willing to tolerate almost anyone, provided profits continue...

Author: /time Magazine | Title: BRAZIL: Uncensored | 1/3/1938 | See Source »

...committee also picked a baker's dozen of "outstanding performances," this time ducking behind an alphabetical redan: Harry Baur in The Golem, Humphrey Bogart in Black Legion, Charles Boyer in Conquest, Nikolai Cherkassov in Baltic Deputy, Jackie Cooper in Boy of the Streets, Danielle Darrieux in Mayerling, Greta Garbo in Camille, Robert Montgomery in Night Must Full, Maria Ouspenskaya in Conquest, Luise Rainer in The Good Earth, Joseph Schildkraut in The Life of Emile Zola, Mathias Wieman in The Eternal Mask, Dame May Whitty in Night Must Fall. Unmentioned was Hollywood's 1937 pride, Paul Muni (Zola), recently...

Author: /time Magazine | Title: Cinema: Tops | 1/3/1938 | See Source »

Censorship has not been a major problem in this war. The great bulk of the reporting has been done behind China's lines and the Chinese do not wish to minimize their foe's might. Coverage of this war has other quixotic aspects. Reporters who are in a Chinese city one day may find it belongs to Japan the next. In Shanghai correspondents and cameramen could sleep comfortably in clean hotel beds, decide each morning which army they wanted to cover that day. But such convenience bred its carelessness and, for example, all United Press...

Author: /time Magazine | Title: The Press: Chinese Coverage | 12/27/1937 | See Source »

...Deciding that the answer was Yes, Judge Cosgrave ordered Herbert Fleishhacker to pay damages of $300,000. He then sent compliments to Lawyer Neylan for his handling of the case. Comparing himself to Emile Zola defending Dreyfus, Lawyer Neylan stormed back: "I am serving notice now on all those behind the present litigation against Mr. Fleishhacker that I am going to bring them into the open and I am going to clear his name if it takes the rest of my professional life. ... I also take this means of communicating to Judge Cosgrave . . . [that] I estimate at less than nothing...

Author: /time Magazine | Title: Business & Finance: Nothing Personal | 12/27/1937 | See Source »

Previous | 201 | 202 | 203 | 204 | 205 | 206 | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | Next