Word: behinds
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Dates: during 1960-1969
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...born Hershey, who began exchanging information with Delbruck and Luria in 1942, found more conclusive evidence for the genetic recombination that Delbrück had discovered. In 1952, Hershey proved that the virus, which consists simply of nucleic acid (DNA) surrounded by a coat of protein, leaves its coat behind as it invades a cell. So it must be the DNA that contains the genetic information...
PEERING at the world from behind gold-rimmed glasses and beneath a thatch of gray hair, Arthur Burns is a model of the modern professor in Government. He is seldom found on the Washington cocktail circuit, and perhaps with some reason. "Being at a dinner with Burns is like being back in the high school classroom," says an acquaintance. His manner is relentlessly professorial; even his doodlings while he talks on the telephone are architecturally precise. But he occasionally shows a dry wit; he has been heard to speak of one politician as "a gentleman and a demagogue...
...payoff has gone not to Shirley but to his burly friend Norman Shierlaw, an Adelaide broker, who hired him for Poseidon. A mining engineer before turning to finance last year, Shierlaw controls 8% of the company's 2.5 million shares, an amount worth $6.5 million. Sitting behind a desk littered with empty beer cans, lumps of ore, contract notes and mining magazines, Shierlaw said: "Early in the week it was champagne, but we've calmed down a bit now. Back on beer." Meanwhile, his friend Shirley, who owns an undisclosed amount of the company's stock...
Marvin began his tour in Houston looking trim and hickory-hard, striding through the airport like a drill sergeant in Dacron. Trailing behind were his large pressagent, his little manager, Meyer Mishkin, and local studio men handing out photographs and toting bags. "Hey!" shouted a cab driver, clapping an arm around Marvin's shoulder. "Where's your horse...
Back on the ground, with little but their own dignity to hide behind, Laurence Olivier, Harry Andrews, Ralph Richardson and Trevor Howard have some good sport impersonating various historical figures who stand about the control room looking grim but determined. There is a thunderous, pseudo-symphonic score to delude the audience into believing that various moments are tense, exciting, exhilarating, tragic, or all of those things at once. It also helps keep people awake during the movie's interminable 2-hr. 10-min. running time, in which it often seems that The Battle of Britain takes longer to watch...