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...blood-lust drama and socially significant comedy, S. N. Behrman's Jane has the impact of a cork shot out of a pop-gun. For Jane is a return to pre-war English drawing rooms, to a comfortable society which prefers to share Mr. Chamberlin's confidence in Hitler. It is a paradise in which blustering old rakes and acid cynics are the only heavies. Yet, despite its weightlessness, the world of Jane is a highly civilized and amusing place...

Author: By Michael Maccoby, | Title: Jane | 10/9/1952 | See Source »

...Charles Belting, Maury Massler and Isaac Shour told the American Dental Association that at the age of 45. one out of every two men will have lost all his teeth or will be suffering from a disease of the gums or jawbone. For the toothless unfortunates, Dentists Stanley ]. Behrman and George F. Egan described a new method of locking false teeth in place with magnets. Protected by plastic and tantalum mesh, the magnets are imbedded in the jawbone and lock tight against similar magnets built into the denture...

Author: /time Magazine | Title: Medicine: Magnetic Molars | 9/22/1952 | See Source »

Jane (adapted by S. N. Behrman from a Somerset Maugham short story) is urbane but upsy-downsy drawing-room comedy. Its three acts of intended laughter rather suggest three sets of tennis, with Jane narrowly losing the match, 6-2, 1-6, 4-6. Jane (Edna Best) is a rich, frumpish, middle-aged Liverpool widow, hard of head and blunt of speech. In a jolly first act she descends on her London relatives to announce that she is marrying a penniless architect half her age. There is consternation, opposition, and the sense of a cheerful future for the play...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 11, 1952 | 2/11/1952 | See Source »

Celanese Theatre (Wed. 10 p.m., ABC). S.N. Behrman's Brief Moment, with Veronica Lake and Robert Sterling...

Author: /time Magazine | Title: RADIO: Program Preview, Feb. 4, 1952 | 2/4/1952 | See Source »

...night-to tell him so. But as editors, the only deep difference between Ross and Shawn, says one writer, "is that Shawn is about 100 decibels quieter." Shawn has the same passion as Ross for facts and accuracy, and is so precise that even a craftsman like S. N. Behrman says: "I like to do a New Yorker piece once a year just to get the benefit of Shawn's editing...

Author: /time Magazine | Title: The Press: The New Yorker's Choice | 2/4/1952 | See Source »

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