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...killed. The murky conclusion, in which the loose ends are matted rather than unraveled, shows the beginner's hand. But Agatha Christie herself could not have contrived the tag line of the book. After it is all solved, a haunting little G-string peddler remarks, "You know, me bein' in the G-string business. I was afraid the cops'd think I done it for the publicity...

Author: /time Magazine | Title: Books: For the Publicity | 10/13/1941 | See Source »

...will attack and two will ram,' he says to the captain. 'Will we attack, sir?' the Captain says, probably thinkin' that Tovey, bein' the admiral, might pick the easier of the jobs. 'No, you bloody fool, we'll ram!' old Splash says. Just then the Warspite* behind us signaled and asked him what the bloody hell he was doin'. 'Am pursuin' small detachment of Italian destroyers,' he signals back. But somehow the Warspite and some more of our battleships got in between us and them, and that...

Author: /time Magazine | Title: World War: AT SEA: Old Splash Guts | 9/15/1941 | See Source »

...Diplomatic type he is, too. They spin a yarn about the time he was goin' down to Chequers to visit Winnie Churchill. He'd just been made a full admiral and he was standin' in a railway station wearin' his brand-new uniform. Bein' on the smallish side, the gold braid on his sleeve reached near up to his elbows. A soldier come up to him and says: 'Excuse me, could you tell me what time the train for So-and-so leaves?' Old Splash Guts drew himself up and looked...

Author: /time Magazine | Title: World War: AT SEA: Old Splash Guts | 9/15/1941 | See Source »

Heavenly Express (by Albert Bein; produced by Kermit Bloomgarden). In recent years playwrights have been busy pulling the lids off coffins. Heavenly Express plays along with On Borrowed Time, Death Takes a Holiday, The Fabulous Invalid, Liliom, Outward Bound-this time dressing Death up as a hobo...

Author: /time Magazine | Title: The Theatre: New Plays In Manhattan: Apr. 29, 1940 | 4/29/1940 | See Source »

Part of an old hobo legend, the Heavenly Express makes a pleasant theatre fantasy, but Playwright Bein leans on it too heavily as a plot device. He has also treated his fantasy far too coyly. The Overland Kid (John Garfield) dances all over the stage, cavorts on chairs and tables, makes pixie faces and Puckish gestures, behaves like someone who is more at home on a tricycle than in freight cars...

Author: /time Magazine | Title: The Theatre: New Plays In Manhattan: Apr. 29, 1940 | 4/29/1940 | See Source »

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