Word: bein
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...employ three acts and much superfluous palaver in the basically simple process of going out and getting married. Nevertheless, all concerned in the dramatization do manage to supply, if not an exciting, at least a quiet, chuckly evening in the theatre. Let Freedom Ring (adapted by Albert Bein; Bein & Goldsmith, producers) is another blow at industrial Bondage & the Bosses. Like most radical literature, "agitprop" drama seems curiously limited not only as to symbolism but as to narrative. The humble workers take it on the chin for a couple of acts, then stage a strike during which the hero is killed...
...such stuff Let Freedom Ring is made. This time the workers are Carolina mountain folk, well observed by Novelist Grace Lumpkin in her To Make My Bread and well transplanted behind the footlights by Adapter Bein. The mountain folk, frozen out of their hill homes one cold winter, go down to town to work in the cotton mills. There life as "lint heads" is far from the fine things they expected. Tuberculosis gets the men while those women whom pellagra spares are tempted to eke out a living from the wages...
...Lakehurst hangar, moored securely to her mobile mast.* Her tail was buckled to a flatcar mounted on a huge circular track, left there to swing with the wind. Decommissioned nearly three years ago, partly dismantled and condemned as unfit for further avigation, the 11-year-old Los Angeles had bein reconditioned not to fly but to determine how she might weather a year's uninterrupted exposure to the elements...
...Harvard players consider themselves particularly fortunate to have obtained the services of Director Joe Losey and Cmoposer virgil Thomson. Losey leaped inot prominence along Broadway last year by his excellent treatment of Albert bein's "Little Ol' Boy," while it is chiefly because of his musical setting for Gertrude Stein's "Four Saints in Three Acts" that Thomson, former director of the Harvard Glee Club, has won renown...
...Losey, director of "Little Old Boy," which played in New York last year, will direct the show. The officers of the club have narrowed the field of possible productions to three and the play given will either be "Sunshine House," by H. C. Voller, "Heavenly Express," by Albert Bein, or "Peripherie," a Max Reinhardt production. A definite decision about the play will be made in a few days...