Search Details

Word: bel (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Sample: "An opportunity like that, and he didn't goose her!-he's in love." Sounder chuckles come when the producer (Reynolds Evans), a solemn amateur chef, rapturously breathes out his formula for the preparation of gumbo. Making her Broadway debut in the play is Designer Norman Bel Geddes' daughter Barbara, 18, who should continue to do well in parts requiring a plump, pleasant young person with a babyish voice. But father Geddes, who preferred Barbara as Amy in last summer's Little Women at Clinton, Conn., has a different design for her, wants...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan, Feb. 24, 1941 | 2/24/1941 | See Source »

...contrived few public beeps, and no acrobatics at all, until after she was married-to August Mesritz, a wealthy, middle-aged Dutch lawyer and journalist. Husband Mesritz resolved that Lily should sing, took her to Alberti di Gorostiaga, an elegant Spaniard who ignored French gender but knew everything about bel canto singing technique. Exclaimed di Gorostiaga: "Mlle. Pons, he is a charming, a gentle lady, he is the most hard-working pupil of my life, he has the range of Patti...

Author: /time Magazine | Title: Music: TRILLER IN UNIFORM | 12/30/1940 | See Source »

...millions of Americans every gaudy, traditional aspect of the circus is little less than sacred. Last week those sanctities were seriously threatened. Modernist Designer Norman Bel Geddes, who conceived General Motors' famed Futurama at the recent New York World's Fair, arrived at the Sarasota, Fla. winter quarters of Ringling Brothers and Barnum & Bailey's circus to begin a two-year modernization of "The Greatest Show On Earth." Mr. Geddes quickly assured the press that nothing newfangled would be done with clowns, elephants, acrobats. He gave a few hints as to his intentions. Next year, he said...

Author: /time Magazine | Title: The Theatre: Show Business: Nov. 25, 1940 | 11/25/1940 | See Source »

Sixteen hundred ships a year called at Pará (now Belém do Pará); and a thousand miles up the orchid-stinking Amazon ocean freighters pulled up to the $40,000,000 stone pier and floating dock at Manaus. They took away a single cargo, bolachas (crude rubber balls). They brought a more varied one: pink tiles, champagne, pâté de foie gras, grand pianos, gold watches, diamond rings, French lingerie for rubber kings' naked native wives, French mistresses to replace them. Manaus went cultural, built a $5,000,000 opera house, closed it again...

Author: /time Magazine | Title: BRAZIL: Rubber Rebound? | 11/4/1940 | See Source »

Director Leon Leonidoff rehearsed the glacial $200,000 spectacle in an overcoat and rubbers, while the pianist swathed himself in camel's hair. The huge cast that swirls and veers through Norman Bel Geddes' wintry landscapes was drawn from as far away as Austria and South Africa. Although Producer Sonja Henie, most famed skatress of them all, does not appear in her own production, she has a worthy substitute in Premiere Ballerina Stenuf, an engagingly plump Viennese who was runner-up to Henie in the 1936 Olympics. Skippy Baxter, a Massine of the runners, began his career, aged...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 21, 1940 | 10/21/1940 | See Source »

Previous | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | Next