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...asking questions in turn. Because a smudge of dust is as visible on her hair as a thumbprint on white paper, she visits her hairdresser once a day for a shampoo. She dresses quickly, uses few cosmetics because they irritate her skin. In the large Bello house at Bel Air many of the rooms are white, as are Jean Harlow's bathing suits and most of the fantastic clothes designed for her by MGM's Costumer Adrian, who is well aware of the fact that fine feathers make fine fans at the box office. When not working, Jean...

Author: /time Magazine | Title: Cinema: New Season | 8/19/1935 | See Source »

...Philadelphia production left little to be desired. The one setting by Norman Bel Geddes was impressively stark and simple. The characters were expertly portrayed by such singers as Rosa Tentoni (Iphigénie), Cyrena van Gordon (Clytemnestra), Joseph Bentonelli (Achilles), Georges Baklanoff (Agamemnon). For the dances Charles Weidman and Doris Humphrey supplied excellent choreography, won great applause. Again Philadelphia Orchestramen proved their superiority to routine opera players...

Author: /time Magazine | Title: Music: Gluck in Philadelphia | 3/4/1935 | See Source »

...father of musical comedy design." Son of an agricultural expert and professional Russian observer named Albert Aaron Johnson (Russia at Work, The Soviet Union at Work, Progress in the Soviet Union), he knew a little about drafting when he came to Manhattan from Florida to study with Norman Bel Geddes. He learned all Geddes could teach him in eight months, appeared on Broadway at 18 announcing that he was "God's gift to the Theatre." Twice thrown out of Producer William Harris Jr.'s office in a day, he returned a third time. To squelch him, Harris gave...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Sep. 10, 1934 | 9/10/1934 | See Source »

...curious Englishman called on the famed Belmonte to watch him prepare be fore a fight. "The first thing that Bel monte undressed and then dressed was the repulsive wound extending through his jaw and to his nose; then he took off the lower part of his pajamas and exposed some open sores which he had on his thighs, some souvenirs of lessons in the art of fighting closely . . . but when he laid the upper portion of his body bare . . . there was such a criss-cross of old wounds and new ones that the Briton fled." But Belmonte is still alive...

Author: /time Magazine | Title: Books: Metador | 4/16/1934 | See Source »

...drama. The work of all the best known U. S. designers was represented but, more often than not, settings for their best known plays were lacking. People looked in vain for Robert Edmond Jones's The Man Who Married a Dumb Wife, The Jest, Mourning Becomes Electra; for Bel Geddes' Miracle or Lysistrata; for Jo Mielziner's Street Scene...

Author: /time Magazine | Title: Art: Stage Design | 1/29/1934 | See Source »

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