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...most striking pictures in the show are the two series of designs by Norman-Bel Geddes for "The Divine Comedy" and "Jeanne d'Arc." Both of these designs are built around permanent sets, the lighting being the only means of changing the scene and atmosphere. Neither of the projects were ever used, but are excellent examples of an imaginative treatment of settings for two well known themes...

Author: By O. W. Jr., | Title: Collections and Critiques | 12/14/1932 | See Source »

Other exhibits are Norman-Bel Goddes' works for the "Divine Comedy," and Jo Mielziener's designs for "Emperor Jones." Leo Simonson '09, Aliene Burnstein, and Donald Owenslager are also represented...

Author: NO WRITER ATTRIBUTED | Title: DESIGNS FOR COSTUMES, STAGE SHOWN AT FOGG | 12/7/1932 | See Source »

...thick khaki uniforms and broad blue sashes, 508 men of the French Foreign Legion marched in full equipment to the railway yards at Sidi-bel-Abbes, Legion headquarters in Algeria, and entrained for French Morocco. Just what they were going to do when they got to Morocco only a few of the officers knew, but France does not spare her mercenaries. The Legionaries were ready to see action and face Death at the end of their trip...

Author: /time Magazine | Title: Foreign News: Death in the Mountains | 9/26/1932 | See Source »

...excepting Norman Bel-Geddes, a genius whose accent usually obscures the individuality of the playwrights he stages, Robert Edmond ("Bobby") Jones is the ablest designer of the U. S. theatre. Audiences will long recall his skillful settings for The Green Pastures, Mourning Becomes Electro, The Emperor Jones and a hundred other plays, without having been distracted from the quality of the plays themselves. Robert Edmond Jones, at 28, made a sensation with sets and costumes he designed for Granville Barker's pro duction of The Man Who Married a Dumb Wife. Later he became associated with Arthur Hopkins...

Author: /time Magazine | Title: Art: Theatre | 4/11/1932 | See Source »

...public schools so din-ridden as to be virtually useless. In its researches the Commission (which does no actual abating but carries on investigations of noise) uses the "decibel," which measures differences between sounds and absolute silence. One decibel represents a sound just audible. Ten decibels make one "bel" (named for the late Inventor Alexander Graham Bell), which represents roughly the amount of sound lost when transmitted over one mile of telephone wire. For convenience the decibel and not the bel is used in U. S. researches. A quiet home registers 40 decibels. Normal loudness of human conversation...

Author: /time Magazine | Title: Education: Noise & Boys | 3/28/1932 | See Source »

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