Word: bel
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...only really decent person in the whole household is Miss Ellie (Barbara Bel Geddes), and there must be something wrong with her too. Why else would she be wife to such a man as Jock and mother to such an unwholesome brood? By his own admission, Jock (Jim Davis) made his fortune in oil by dirty dealings, and J.R. (Larry Hagman) is carrying on the tradition by cheating everyone within howdyin' distance. After much conniving, he finally ran Brother Gary (David Ackroyd) off the spread, but then Gary is a no-account drunk and gambler who probably got what...
...daughters-in-law practice their accents, droppin' g's like sure-'nuff Texans. When they do something besides thinking, like parading around the swimming pool, they sound as if the only Texans they know are those who shop on Rodeo Drive in Beverly Hills. Bel Geddes does not even attempt an accent, but she is so good at everything else that no one notices. Lucky Larry Hagman, who grew up in Texas, sounds just right...
Directed and Written by Yannick Bel...
With his extra measure of Ponselle's "certain something," Pavarotti occupies a unique position among the tenors of today. Placido Domingo, 38, his nearest rival, has a superbly smooth, rich voice and a wider range of roles?he sings the weighty Othello as well as bel canto parts?but he sometimes loses impact because of a veiled timbre and somewhat muted personality. Jon Vickers, 52, can match Pavarotti's intensity and puts more serious thought behind his performing, but his is an entirely different kind of voice: rugged, heroic, best suited to dramatic works such as Otello, Les Troyens...
Vocally, Pavarotti in recent years has skillfully negotiated the most treacherous shoals that face a tenor. Early in his career he was a classic tenore lirico, ideally suited to lighter lyric roles like Rodolfo, and florid bel canto roles like Nemorino in L'Elisir d'Amore. With age, however, a tenor's voice takes on a heavier tone and darker coloration. By the time he is in his 40s, a tenore lirico is usually ready for roles in the intermediate spin to (pushed) range, like Cavaradossi in Tosca, and maybe even in the forceful, baritonal tenore drammatico category, like...