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...Bel...

Author: /time Magazine | Title: Forum, Aug. 2, 1976 | 8/2/1976 | See Source »

Died. Johnny Mercer, 66, onetime mellow-voiced blues crooner, four-time Oscar-winning lyricist; after a long illness and brain surgery; in Bel Air, Calif. As a lyricist, Mercer had a knack for turning the vernacular into such enduring pop songs as Jeepers Creepers, Lazybones, That Old Black Magic and Moon River...

Author: /time Magazine | Title: Milestones, Jul. 5, 1976 | 7/5/1976 | See Source »

...perfection of the festival's venue obscures its contributions to opera. Standards decreed for Mozart by Glyndebourne's first conductor, Fritz Busch, sound inevitable today: original languages, a minimum of bel canto fireworks and intimate orchestration as Mozart scored it. Venetian operas now returning to the international repertory were first revived here only a decade ago under the direction of Musicologist Raymond Leppard. Glyndebourne's current showpieces are the neglected conversational operas of Richard Strauss, Capriccio and Intermezzo. They were staged for the lustrous Swedish Soprano Elisabeth Soderstrom under Administrator Moran Caplat's dictum of "hiring...

Author: /time Magazine | Title: Music: Opera in the Countryside | 6/28/1976 | See Source »

...brief period since he set himself up in a Bel Air mansion, Simon, now 48, has not only survived but scored mightily. His new movie, Murder by Death, starring Truman Capote, Sir Alec Guinness, Maggie Smith, Peter Sellers and David Niven, will open later this month, and by all advance reports it is one of Simon's best pictures. His new play, California Suite, a sort of Plaza Suite West, starring George Grizzard and Tammy Grimes, played to cheering houses in Los Angeles' Ahmanson Theater for six weeks. The show was such a hit that it has already...

Author: /time Magazine | Title: PLAYWRIGHTS: California Simonized | 6/14/1976 | See Source »

...makes a fitting backdrop for the evening's vocal triumph. In the current vogue for bel canto opera, I Puritani appears increasingly in the repertory of major companies. Often the production is not much more than a vehicle for a soprano. But the Met also offers a stirring male trio: Pavarotti, Milnes and James Morris, 29, whom the company has brought along carefully. Though Mimes' baritone is too dramatic for a legato line, his declamations are thrilling. Pavarotti, a money tenor in the way that Tom Seaver is a money pitcher, revels in his recklessly high flourishes. Sutherland...

Author: /time Magazine | Title: Music: I Serenissimi | 3/8/1976 | See Source »

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