Word: belasco
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Dates: during 1930-1939
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...beyond that, the reader draws a blank. Either Katharine Cornell, in her devotion to her profession, has lacked time to study things and people or, having done so, she is resolved to keep mum. Dozens of names, from Greta Garbo's to Alexander Woollcott's, from David Belasco's to Orson Welles's stud the pages of her book, but none of them-not even her husband's, Director Guthrie McClintic -ever becomes a face. Toward other actors she is virtually all smiles. About nothing, about no one, is she pert, mettlesome, unexpected. Compared...
Zaza (Paramount). This ancient tearjerker, about a French cancan dancer whose fun is spoilt when she learns that her lover is married, has a noteworthy history. It was first produced in Paris in 1890, as a vehicle for Gabrielle Réjane. Eight years later, David Belasco used it to further the fabulous career of red-headed Mrs. Leslie Carter. In 1920, Zaza became an opera for Geraldine Farrar. In 1923, Gloria Swanson was Zaza in a silent picture. A favorite item in the repertory of stock-company leading ladies the world over, Zaza has been running off & on ever...
Died. Gustav A. Weidhaas, 62, Broadway's No. 1 creator of stage "props" and trick effects; of heart disease; in Bronxville, N. Y. Sometime master handyman for Belasco, Ziegfeld, Joe Cook and Billy Rose, Weidhaas manufactured such varied marvels as the dragon for the Metropolitan Opera's Siegfried, jellied lobster (which would bounce) for Dinner at Eight, pet snakes for You Can't Take It With...
...offices of four Manhattan theatres controlled by Sam H. Grisman -the Forrest (Tobacco Road), the Belasco (Golden Boy), the Hudson (Whiteoaks), the Windsor (The Two Bouquets, opening May 31)- made U. S. theatrical history this week when they started selling tickets, not only for their own shows, but for the other three as well. The system, new to the U. S., has worked out well in Europe...
...Girl of the Golden West (Metro-Goldwyn-Mayer) plasters opulent prettiness, vociferous songs and an assortment of plot cliches all over David Belasco's ancient yarn about the mad, bad days in early California. Walter Pidgeon, sheriff of Cloudy Mountain, and Bandit Chief Nelson Eddy are rivals for Jeanette MacDonald, pastel-tinted proprietress of the Polka Saloon. Eddy's dimples, wavy hair and roly-poly pinkness satisfy the popular idea of a rakehell bad man about as well as they did that of a West Point football player in Rosalie. Miss MacDonald's concession to her role...