Word: belasco
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Dates: during 1960-1969
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...since Belasco and Ziegfeld has the theater produced such a successful and spectacular producer-star. To the millions who follow his exclamatory career on the front pages and the late shows, he gleefully presents himself as the meanest man in town-as "the Abominable Showman," a bold, bad Broadway producer with a rubber leer, a big black Groucho Marx mustache and a tongue that can tirelessly slice baloney and burble ballyhoo about such Merrick productions as Look Back in Anger, La Plume de Ma Tante, Gypsy and Luther. To publicize his shows, Merrick with truly hippopotamic cheek has sent sandwich...
Bronzes & Bullets. Now that he had sold himself, he hired a pressagent to ballyhoo him as a "Bantam Barnum," a "Mighty Midget" and the "Basement Belasco." He went on to produce eleven Broadway shows (including Jumbo, Carmen Jones'). He opened a restaurant and a nightclub (Billy Rose's Diamond Horseshoe). He ran the Aquacade at the 1939-40 World's Fair. He became a syndicated columnist, peddling a unique amalgam of show-biz snappy sayings and schmalz. He collected art the way other people collect neckties-he once tried to buy the Metropolitan Museum...
...World, and considered herself as able a spellbinder as William Jennings Bryan. "I agitate a listener." she said. "I know how to get the power out of my diaphragm instead of my vocal cords, and I'm happy to be free to give Capitalism hell." Producer David Belasco tried to convince her that she should become an actress, Novelist Theodore Dreiser called her the "East Side Joan of Arc," and the famed Wobbly poet, Joe Hill, dedicated The Rebel Girl to her during the years when she raced from coast to coast battling beside strikers in the mines...
Tamiko, while obviously oriented toward afternoon audiences, occidentally manages to give an up-to-date twist to a story that was old when David Belasco wrote Madame Butterfly...
Last week's performance was superb, with Soprano Price handling her warm and lustrous voice impeccably, and infusing the figure of Minnie with a believable passion that might have surprised even Playwright Belasco. Tenor Richard Tucker did an admirable job as Dick Johnson, the silliest role in the opera, and Baritone Anselmo Colzani, the only Italian among the principal characters, swashbuckled through the role of the sheriff like a refugee from Gunsmoke. And although the opera provided few memorable arias (one striking exception: Johnson's "Ch'ella mi creda libero"), it had a score full of surgingly...