Word: belascos
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...generation ago David Belasco initiated a phase of naturalism on the U. S. stage with real flowers, water faucets from which water ran, coffee that steamed and smelled. Of late, the Krasnaya Presnaya Theatre in Moscow, part of whose repertory is a play in which the audience finds itself in the midst of a pitched battle, has taken the lead in holding the theatrical mirror up to life. From whatever source Mr. Bel Geddes gets his inspiration for such supernaturalistic productions as he designed for Dead End and Iron Men, he has not been over-lucky in finding good plays...
Complications developed from the old Belasco play Shore Leave are of the boy-meets-girl, boy-loses-girl formula. The wind-up is a benefit show on board a freighter: boys-get-girls...
Rose of the Rancho (Paramount). As a vehicle for the cinema debut of Contralto Gladys Swarthout, a revival of David Belasco's famed stage success recommended itself for obvious reasons. Born of U. S. parents and reared in Deep Water, Mo., Miss Swarthout has a Latin appearance well suited to a rigmarole about Spaniards in California and their efforts to hold their ancestral estates against early land-grabbers. Furthermore, the dual roles of Rosita Castro and Don Carlos, masked leader of the Spanish vigilantes, enable her to maintain a tradition which she inaugurated at the Metropolitan Opera...
...Norman Bel Geddes is no stranger in the realm of artistic imagination. In Dead End, "an experiment in technique, a step toward increased realism in writing and production." Designer Geddes has given the U. S. Theatre new dimensions in the realm of naturalism. Displayed on the stage where David Belasco used to draw plaudits for showing real roses in real vases is apparently the east end of Manhattan's 53rd Street. To the left stands the rear entrance of a swank apartment not unlike River House. In the centre squats a row of verminous flats. To the right rises...
There is one ghost that stamps itself unforgettably on The Return of Peter Grimm: the shaggy white-haired shade of the late David Belasco, its original author, director and producer. When in 1911 Belasco turned out this play, he put so much of himself into it that he used to confide to friends: "Like Shakespeare, this, I think, will live forever." Defying two theatrical decades, The Return of Peter Grimm continues to fulfill its author's boast...