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...uncomfortable observation that the season's drama is a most gaunt and tattered contribution to the Theatre's annually increasing family. Two good plays only have come in (What Price Glory? and The Guardsman). The prospects of a weedy fall crop were cer tified when David Belasco's opening production went onto the first night threshing-floor and returned an incredibly low per cent of entertainment. Just why the autumn's offerings, while high in quantity, have been meagre in merit no one can explain. The fact remains. Robert Loraine, an English actor of some prominence...

Author: /time Magazine | Title: The Theater: New Plays: Nov. 3, 1924 | 11/3/1924 | See Source »

When asked to compare French and American producers, M. Perrin said: "The French are better producers than the Americans. With the exception of Mr. David Belasco there are very few American producers or directors who can tell an actor how to say his lines. Most of them leave that part to the actors, themselves, and so the plays are broken up. Instead of a play being the expression of a single man it is the expression of the entire cast, and does not convey the author's meaning...

Author: NO WRITER ATTRIBUTED | Title: CERCLE COACH DERIDES AMERICAN PRODUCTIONS | 10/23/1924 | See Source »

...York run, the tragic finish of "Laugh, Clown, Laugh" has, in the twinkling of an eye, been changed to a happy one and the change can scarcely be called an improvement. Otherwise the play is as it was before, of the theatre, theatrical, but vastly effective, this Belasco version of the Grimaldi legend with Lionel Barrymore as the sorrowful clown...

Author: By G. R. L., | Title: COMEDY CRIMSONPLAYGOER DRAMA | 10/22/1924 | See Source »

...settings and atmosphere of the piece are distinctly Belasco, showing his infinite care for detail. But the lasting memory of the play must be of Barrymore alone, the light and shade, the splendid power of him in the second act. "Laugh, Punchinello, laugh at the pain that is breaking your heart...

Author: By G. R. L., | Title: COMEDY CRIMSONPLAYGOER DRAMA | 10/22/1924 | See Source »

...David Belasco, wizard of the realistic stage, is about to sell his collections- artistic and otherwise. There is a work table of rosewood, gift to his mother from Edwin Booth; there is a cloak worn by Booth as Don Cesar de Bazan; a French harp once belonging to the Empress EugÉnie; Staffordshire ware, vessels, plates, figurines; European and Chinese porcelains; Chinese porcelain birds; Capo di Monte figurines; English, U. S., Bohemian glass; wood carvings; furniture from France, England, Italy; early textiles, brocades, needlework panels, cushions, banners; Chinese, Persian, Caucasian, Turkish rugs; arms and armor of all periods...

Author: /time Magazine | Title: Arts: Will Sell | 10/13/1924 | See Source »

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