Word: belew
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Dates: during 1980-1989
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...FIRST GLANCE. Laune Anderson's second album, Mister Heartbreak, seems like a copout. After all, what does an sustere musician like Anderson, who relies on the simple, minimalistic beauty of her melodies, need with such dense trendy musicians like Adrian Belew (who has worked with the Talking Heads ) and Nile Rodgers (who has worked with David Bowie)? And way is an overblown, self-conscious "artist" like Peter Gabriel collaborating and singing backup vocals on some of the songs...
ROCK, HOWEVER, PLAYS a much larger role in this album than in her previous Big Science. "Sharkey's Day", for example, is probably the closest Anderson has come to making a song that really rocks. With Belew's sawing, distorted guitar and a dense, varied percussion section firmly driving the melody forward, Anderson delivers the vocals in her haunting, deadpan style, halfway between speaking and singing...
Gill scampers from side to side, picking our suitable vantage points where he can glare sinisterly our into the orgiastic crowd. A technical virtuoso equal to Adrian Belew or Robert Fripp of King Crimson, he sends screeching feedback and other bizarre sounds blazing to the ceiling, rips off eclectic chord changes to brand in with the rhythmic thrust laid down by Burnham and Lee, and contributes his eerie, monotonic voice strategically. For his part. King writhes and oscillates madly like a maniacal giraffe at the center of the stage, his primitive, guttural, and thoroughly expressive voice bounding through the controlled...
...back, showing Russian warplanes over a mountain range. You can tell that the original members of the band--Byrne, guitarist and keyboard player Jerry Harrison (late of Harvard), Bassist Tina Weymouth and Drummer Chris Frantz--met in art school. They're joined on this album by Adrian Belew, Jose Rossy, Jon Hassel, Nona Hendryx and the omnipresent Eno. Robert Palmer is among the many given credit for percussion but he probably just hit a bottle with a spoon on one song...