Word: belgians
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Dates: during 1950-1959
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...first, there had been a fuss by Belgian Socialists over whether the Pope should marry them because the constitution presumably required a civil ceremony on Belgian soil. The Pope himself had gently ended the fuss by withdrawing his offer (TIME, June 15). Nor was this the last of the misfortunes that dog the Belgian royal family...
...friends by printing in Dlisseldorf, but was back in England a week later with union approval to hire a printer in Essex. The Economist, which was printed in a Swiss nunnery during a lesser strike in 1956, found a printer in Brussels, moved to Paris a week later, after Belgian unions expressed sympathy for the British strikers and threatened a boycott...
After she has studied at the School of Tropical Medicine in Antwerp, her superiors send her to the Belgian Congo as a nurse, where she is assigned to work with a character called Dr. Fortunati (Peter Finch), who is described with Gothic horror as "a genius and a devil" but turns out to look like nothing worse than Alan Ladd with eyebrows. "Don't ever think for an instant," Sister Luke is warned, "that your habit will protect you." After teasing this tedious notion about for the better part of an hour, the script clumsily returns to its proper...
...Story (at the Metropolitan). This two-and-a-half hour film is an informative, comprehensive, unglamorized version of Katherine Hulme's novel about a Belgian girl's glorious failure in attempting to be a worthy nun. It should appeal to non-Catholics and non-believers as well as Catholics. The picture has a fine screenplay by Robert Anderson '39, firm direction by Fred Zinnemann, and beautiful color photography. Audrey Hepburn in the title role give a flawless performance; and more than able assistance is provided by Mildred Dunnock, Dame Edith Evans, Dame Peggy Ashcroft, Peter Finch, and others...
...attraction of this strongly appealing book lies not so much in the plot as in the author's passion for the city. Rome, says Belgian Novelist Curvers, is "like a woman lying in a shallow bowl of marble who, leaning now on one elbow, now on the other, constantly lifts one hand toward the blue bowl of the sky." Since that hand holds offerings-the offerings of art-the book also contains more genuine insights into art than a shelf of criticism. Of the Sistine Chapel: "Poor Michelangelo-to have been put to so undignified and superhuman a task...