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...strongman, President General Anastasio ("Tacho") Somoza Debayle. Bands of well-armed insurgents of the Sandinista National Liberation Front (FSLN) slipped across the border from Honduras and Costa Rica. The rebels first struck in half a dozen cities in the interior, bottling up government garrisons with torrents of bullets from Belgian-made automatic rifles. Then they moved into the capital of Managua, which had been paralyzed by a general strike. While Somoza's air force wheeled overhead, raining down barrages of machine-gun fire, the Sandinistas* fought their way to within blocks of the President's fortified command bunker...

Author: /time Magazine | Title: NICARAGUA: Sandinistas vs. Somoza | 6/25/1979 | See Source »

...July 17 will be the choice of a president. Willy Brandt, who campaigned across the continent for his Socialist colleagues, had been considered the leading contender. In view of the center-right's strong showing, Veil was being touted by supporters as a more fitting choice. Former Belgian Premier Leo Tindemans, who heads the Parliament's powerful Christian Democratic group, meanwhile, was bidding for the informal post of majority leader of the coalition...

Author: /time Magazine | Title: EUROPE: Forum of Political Stars | 6/25/1979 | See Source »

...came to Harvard for frozen nirvana, you're in the right place. Belgian Fudge is one of the most popular and convenient Cambridge ice cream havens. The ice cream, hand-mixed in the Mass. Ave and Garage stores, reaches its peak in Rocky Road, Oreo Cookie, and pina colada. But it's a fat 75 cents cone...

Author: NO WRITER ATTRIBUTED | Title: Where Elites Meet to Eat, Read and Rock and Roll | 6/25/1979 | See Source »

...modern audience rather as the sultans of Victorian academic painting, the Friths and Poynters and Alma-Tademas, served theirs a century ago-as storytellers. Modern art was supplied with mythmakers, from Picasso to Barnett Newman. But it had few masters of the narrative impulse, and Magritte, a stocky, taciturn Belgian, was its chief fabulist. His images were stories first, paintings second, but the stories were not narratives in the Victorian manner, or slices of life or tableaux of history. They were snapshots of the impossible, rendered in the dullest and most literal way: vignettes of language and reality locked...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

...painted things so ordinary that they might have come from a phrase book: an apple, a comb, a derby hat, a cloud, a birdcage, a street of prim suburban houses, a businessman in a dark topcoat, a stolid nude. There was not much in this list that an average Belgian clerk, around 1935, might not have seen in the course of an average day. But Magritte's combinations were another thing. Magritte's poetry was inconceivable without the banality on, and through, which it worked...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

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