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...property (Warners). Producer Abbott prefers to pick his plays out of the grab bag, or help write them himself, as he did Broadway (with Philip Dunning), Coquette (with Ann Preston Bridgers), Three Men On A Horse (with John Cecil Holm). He has produced plays by established authors, like the Bella & Samuel Spewack Boy Meets Girl, but his experience with warranted materials has not always been pleasant. Last year he presented Sweet River, an adaptation of Uncle Tom's Cabin. It flopped...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Nov. 1, 1937 | 11/1/1937 | See Source »

...known models as Jaeckel's Betty Wyman, Lucky Strike's and Chesterfield's Ida Vollmar) and U. S. fashions but implies that a couturier may indeed be a forceful masculine fellow. The cinemadequate plot and up-to-date dialog are the expert work of Samuel and Bella Spewack (Boy Meets Girl...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 30, 1937 | 8/30/1937 | See Source »

...play We Americans. The play was a hit and Muni's future was virtually assured. Success did not change him much. He did not gamble or drink or imitate the ways of the Gentiles. For several years he had been married to a slender, dark-eyed girl named Bella Finkel who had played opposite him in the Yiddish Theatre. After We Americans, Muni Weisenfreund went to Hollywood where, renamed Paul Muni, he made The Valiant and Seven Faces, neither of which won him cinema fame. He returned to Broadway in 1931 for the smash success Counsellor...

Author: /time Magazine | Title: Cinema: Prestige Picture | 8/16/1937 | See Source »

...Among them, besides Mr. Howard himself: Bella & Samuel Spewack (Ethan Frame}, Lillian Hellman (The Children's Hour...

Author: /time Magazine | Title: Theatre: Meat Show Meeting | 6/7/1937 | See Source »

Woman Chases Man (United Artists). Screenwriters Samuel & Bella Spewack (Boy Meets Girl) wrote a script and, after reading it, begged Producer Goldwyn to take their names off it, returned the money he had paid them. Director William Wyler, who had been given a vacation with all expenses paid, returned to Goldwyn $25,000 advanced to him in salary and expense money to be let off directing it. Miriam Hopkins offered to pay anything in reason not to star in it, at length agreed to give in and work if Goldwyn got Gregory LaCava to direct. Goldwyn got LaCava, but after...

Author: /time Magazine | Title: Cinema, May 31, 1937 | 5/31/1937 | See Source »

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