Word: bellas
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...GOAT AND COMPASSES? Martin Armstrong?Harper ($2.00) You gaze down at people from the church steeple of Crome one sea-windy day: thin Susan Furly marching from door to door with the parish magazine; buxom Bella Jorden, preening her black silk on the porch of the Goat and Compasses; Rose Jorden talking furtively with some man through a hedge; old Mrs. Dunk, the charwoman, pottering about the graveyard; plump-breasted Sally Dunk, flirting boldly in the lane. Of an evening you hear the local males talking at the inn, Crome's moral centre. By night, the sleeping selves...
...Hayes will be accompanied on the plano by William Lawrence. The program is as fellows: 1. "Care Selve" from "Atalants" Handel Eowa Rosa Bella (La Calamita de Cuori) Galuppi 2. Maniacht (May Night) Brahms Auch Kleine Dinge (E'en Litte Things) Wolf Erhebung (Reflections) Schouberg 3. In Myrtle Shade Guffes Persian Poem (Omer Khayam) Santoliquido In the Silence of Night Rachmaninoff 4. Negro Spirituals I've got a Home in that Rock Set Down I Got a Robe You Hear de Lambs a Cryin...
...Bella Donna. Pola Negri's first American picture is, except for the continuously electric Pola, just another vampire-film, deodorized as much as possible to please the censor. There's a sheik and an English nobleman and a little box of poison and a desert with a prowling lion-and none of it matters very much. Except when Pola appears. Daddy. A blatant assault upon the lachrymal glands, with a few snatches of inimitable comedy by young Mr. Coogan. He is, as you may have guessed, a downtrodden little boy-violinist in search of his long-lost daddy...
...program will be as follows: Overture: Selections from "Flora Bella," Schwarzwald Missouri Waltz, Knight Logan Characteristic Dances, Sarakowski Selections from "The Century Girl." Herbert Exit March: The Royal Legion. R. A. Foss
Taken as a whole, though not brilliant, "Flora Bella" will afford much enjoyment and many thrills to the audience...