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Word: bellerophoniad (lookup in dictionary) (lookup stats)
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...stick. The trick is not to find the mythic elements in everyday reality but to go straight to the myths themselves to find the real people inside the heroic shells. This is Barth's method in Dunyazadiad and the other two novellas, as well Perseid and Bellerophoniad...

Author: By Michael Levenson, | Title: Beyond the End of the End of the Road | 10/6/1972 | See Source »

...stories within stories within digressions, flights back and forth through time and a complicated diagram of the heroic cycle. There are pauses in mid-text for the narrator to comment impatiently on the unsatisfactory progress of the narrative. Heroes from other Barth novels make cameo appearances, and halfway through Bellerophoniad, Barth presents an autobiographical account of his novelistic career. For the confused reader, he obligingly provides Robert Graves's summary of the details of the Bellerophon myth...

Author: By Michael Levenson, | Title: Beyond the End of the End of the Road | 10/6/1972 | See Source »

Chimera is a coy variation on a number of Barth's favorite themes. Composed in three parts, "Dunyaza-diad," "Perseid" and "Bellerophoniad," the book is largely a gag at the expense of conventional literary forms. Instead of having characters symbolize archetypes as most novelists do, Barth uses the archetypes themselves as characters. Fortunately for the reader, Barth -who is also an English professor at the Buffalo campus of the State University of New York -provides a pony. (Pegasus by any name is just as helpful.) As he explains in Chimera: "Since myths themselves are among other things poetic distillations...

Author: /time Magazine | Title: Books: Scheherazade & Friend | 10/2/1972 | See Source »

...Bellerophoniad," the domesticated archetype is Bellerophon, tamer of the winged horse, killer of the fire-breathing Chimera, conqueror of the Amazons and generally a favorite of the gods. Barth renders Bellerophon's adventures into a dizzying situation comedy in which metaphors are homogenized and characters recede into their own stories and reappear so that the middle of one man's tale could be another's beginning or ending. Both "Perseid" and "Bellerophoniad" spin on little else than the axis of Barth's cleverness, and both wobble badly...

Author: /time Magazine | Title: Books: Scheherazade & Friend | 10/2/1972 | See Source »

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