Word: belletristic
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FitzGerald, a mid-Victorian belletrist and amateur Orientalist, carried this principle to an extreme when he translated the 12th century Persian poem The Rubaiyyat of Omar Khayaam. He condensed, combined and reshuffled the stanzas, dropping what did not suit him and pumping in generous transfusions of his own sentimental, post-Darwin fatalism. The result is one of the enduring minor poems of the language-awash with fanciful exoticism, vivid and resonant. But scholars have been scandalized by the liberties that FitzGerald took with the original, and for a century have tried in vain to supplant his version with more literal...
...There will be nothing for the lad to do except embark on deed after deed of violence, rising to a climax of unimaginable crime. . . . In fact I can imagine that in 1950 the names Christopher Robin and Simon may not mean at all what they do to the belletrist public of today. They may mean something not very different from what Bugs Moran and Al Capone mean today. And who will blame them...