Word: bellini
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Dates: during 1950-1959
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...sunsets, the changing light, Florian's, Quadri's, Torcello, Harry's Bar, Murano, Burano, the pigeons, the glass beads, the vaporetto. Venice is a folding picture-postcard of itself." But Tourist McCarthy is no ordinary tourist. Whether she is discussing the merits of Titian, Tintoretto, Veronese, Bellini, Giorgione, or building up a rare head of social protest steam over the teen-age slaveys whose eyes are being ruined in the lace factory at Burano, her reflections bear the stamp of a rangy mind not to be fobbed off with commonplaces. To get the feel of Venice...
Giant Guitar. Bellini's Norma, which Callas had chosen for her New York de but, is a second-rate work. It is a rare operatic phenomenon in that the libretto is not much sillier than the score. The story takes place during the Roman occupation of Gaul. Norma is a Druid high priestess, who, though pledged to virginity in the service of the moon goddess, has borne two children of the Roman proconsul. When he casts her off for another Druid priestess, Norma arouses the local underground against him. But in the end she repents, publicly confesses her sins...
...left it as a fat, unhappy child of 14. She returned svelte, successful, the wife of an Italian millionaire, a diva more widely hated by her colleagues and more wildly acclaimed by her public than any other living singer. She returned to open the season next week in Bellini's Norma at the Metropolitan-which only eleven years ago just could not seem to find a suitable role...
...many years past about the iniquity of the way Italian pictures particularly are being skinned alive by restorers." Other letters pointed out various masterpieces in London's National Gallery which may have ceased to be masterpieces through too much cleaning. Among them: pictures by Giovanni Bellini, Botticelli, Titian, Rembrandt, Velásquez, and even Leonardo's great Virgin of the Rocks. Leonardo's figures, wrote one angry correspondent, "are now bathed in a light only seen on the faces of the dead; or the neon lighting of a coffee...
...Corner; there is the sheer Broadway frolicking of Big D, with its salute to Dallas; the gay lesson-in-English of Happy to Make Your Acquaintance; the Verdi-gurdy high spirits of Abbondanza and Sposalizio. But there is also the lyrical How Beautiful the Days, with its touch of Bellini-like sweetness, and the quick lilt of Young People (with its liltless follow-up line about the no-longer-young). Only in operatic passages that are datedly lush or flamboyantly melodramatic, or in the winegrower's inept vocalizings to his dead mother, does the generally vintage music turn...