Word: bellini
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Dates: during 1960-1969
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...opera's first production was almost as heavy with intrigue as Wagner's plot. Though the composer grandly pronounced Tristan "the greatest musical drama of all time," opera houses in Dresden, Berlin, Vienna and Munich rejected it as "unperformable." Moreover, to a public reared on Rossini, Bellini, Donizetti and Meyerbeer, most of Wagner's works seemed to be joyless monstrosities...
...magnificent Cézanne still life that seems to tilt a plate of cherries into the viewer's mouth, is brought together to demonstrate one of the museum's strengths. Great Renaissance paintings, still in short supply despite loans of Botticellis, Van Dycks, and an individual Bellini, Giorgione and Canaletto from the Norton Simon Foundation, share space with Andrea di Orcagna's incomparable trecento marbles of musicians with musette, timbrel and zither, like pearly leprechauns playing away the centuries...
When Mezzo-Soprano Marilyn Horne made her New York debut in Bellini's Beatrice di Tenda four years ago, the critics were rapturous in their praise-for Joan Sutherland, the celebrated coloratura who also happened to be making her New York debut that night in the title role. Poor Marilyn was completely submerged in the flood of acclaim for Sutherland. The reviewer for the New York Times neglected to mention that she was even present, much less accounted...
...CANTO (2 LPs; London). A festive addition to the current revival of "beautiful singing," these 23 arias, duets and trios are by familiar composers (Bellini, Donizetti, Rossini, Handel) as well as unfamiliar ones (Piccinni, Lampugnani, Bononcini, Shield). Joan Sutherland is the heroine of the album, her brilliant voice describing perfect arabesques in the stratosphere. Richard Conrad's flowing tenor blends beautifully with hers, and there is also ample opportunity to judge the fast-rising Mezzo-Soprano Marilyn Home, whose range, power and flexibility are formidable but who is not yet in the same galaxy as Sutherland...
...soon as the curtain dropped on the performance of Bellini's Norma, fist fights erupted, insults bounced be tween boxes, and the grandly helmeted Gardes Républicaines clanked into action. One bejeweled matron tore the glasses off a startled young man next to her; another dug her fingernails into her adversary's Balenciaga décolleté. Dress Designer Yves Saint Laurent dealt his neighbor a smart kick in the shins. Monaco's Princess Grace, along with Charlie Chaplin, his wife and his brood, fled for the exits. Aristotle Onassis and Rudolf Bing stayed...