Word: bellini
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Dates: during 1970-1979
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...Beverly has shown since 1966 is that an American singer can take up where Maria Callas left off. Callas, now virtually retired, had a soaring, flexible voice that projected a matchless dramatic intensity. In the 1950s, among other roles, she almost singlehanded revived the ornate bel canto repertory of Bellini, Donizetti and Rossini. (Bel canto, literally "beautiful singing," more properly applies to the whole vocal art of making the fiendishly difficult sound easy.) It is this repertory that Beverly and her chief coloratura rival, Joan Sutherland (see box, page 81), have since then mastered. Beverly comes by the bel canto...
...Rome, a city that takes its singing seriously, the uproar was reminiscent of the time Maria Callas failed to complete a performance of Bellini's Norma. This time it was Aretha Franklin, who had been touring the country while the Italians hailed her as La Regina del Soul. After fainting at the end of a performance, Aretha canceled her next day's show, a move that produced outraged howls and legal action from Promoter Ezio Radaelli, who had paid her $65,000 in advance. Aretha responded by booking a flight to Paris. But she was picked...
Scholars and Thieves. In fact, the trips to Venice did not radically change his style. But they gave him confidence (especially when Giovanni Bellini, the Venetian artist he most admired, became his friend), immeasurably deepened his learnings and supplied him, on the way, with some of his most typical images. His biggest etching, Landscape with the Cannon, sets a turbaned Turk (which Dürer copied from a painting by Giovanni's older brother Gentile Bellini) in the midst of a landscape he sketched on the way to Bamberg. Around 1501 he engraved Nemesis?the goddess of fortune, bulbous...
...scale was one, all billboards might be masterpieces. The fact that the Cezanne, next to Leonardo da Vinci's Ginevra de' Bend (which cost about $5,000,000) is the costliest new picture in Washington does not mean it can be "put up against" Bellini's Feast of the Gods, Raphael's Alba Madonna, or even the museum's other and better Cezannes. Its interest is mainly historical. Cezannes of this date are rare. Even the ineptitudes of this gawkily powerful portrait-such as the clumsy handling of the trousers and the armchair-have...
...religious doom that fell on Tuscany at the time of the plague, but the man stands, feet implacably planted athwart the body of Herod, in symbolic triumph. With the gift of Contini-Bona-cossi's St. Jerome, Florence will have one of the half-dozen finest small Bellinis to be seen anywhere in Europe. Every detail, from the folds of the saint's robe to the squirrel on a branch behind him, was imagined and recorded by Bellini as the concrete signs of God's grace investing the world. Bellini came 50 years before Titian...