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...Casa Ricordi in Milan is the world's most fabled storehouse of Italian opera. In 17 zinc cases sunk 45 ft. below the ground, the firm has stored away original operatic manuscripts by most of the great Italian composers, including Donizetti, Bellini, Verdi and Puccini. One discordant note in this musical melange: the firm is under heavy criticism for permitting errors by the thousands to creep into its printed scores-and for refusing to let outsiders compare them with the originals. Last week the criticism grew so loud and bitter that the Italian Senate considered new copyright rules that...

Author: /time Magazine | Title: Music: Battle of the Scores | 8/4/1961 | See Source »

...late Bernard Berenson had nothing but affection for the work of the isth century Italian Artist Carlo Crivelli. But when B. B. came to write his authoritative studies of Italian Renaissance painters, he felt obliged to leave Crivelli out. Though the artist was the contemporary of Giovanni Bellini, Mantegna and Piero della Francesca, he remained, in Berenson's opinion, essentially an exponent of the Late Gothic spirit-superb in his way, but "the product of stationary, if not reactionary, conditions." Last week 80 works by Crivelli and his followers were shown in the Doges' Palace of Venice...

Author: /time Magazine | Title: Art: Most Tender Pity | 7/14/1961 | See Source »

...London three years ago, a drawing that was labeled only "School of Francesco Cossa" brought $23,520. The same year a tiny Bellini showing Christ at the column went for $44,100. Last week at Sotheby's, a delicate little drawing of a wispy young woman by the 15th century Flemish Painter Hugo van der Goes made twice as much news. It was a study the master had made for a painting, possibly of St. Barbara. The painting has been lost; the study survived to fetch...

Author: /time Magazine | Title: Art: Cinderella | 5/19/1961 | See Source »

...evening had the makings of disaster. The opera was Bellini's Beatrice di Tenda, an obscure chronicle of intrigue and infidelity in medieval Italy, which flopped at its Venice premiere in 1833 and had not been done in the U.S. for a century. The American Opera Society's orchestra, awkwardly led by Conductor Nicola Rescigno, sounded coarse. The supporting cast in the concert performance was uninspired. Soprano Joan Sutherland's mother - her first voice teacher -had died the day before in London. But in her New York debut, Joan Sutherland proved what past appearances (London, Venice, Dallas...

Author: /time Magazine | Title: Music: New & Excellent | 3/3/1961 | See Source »

Stand Up & Sing. Tne music of Nabucco was different from anything the earlier giants of Italian opera-Rossini, Bellini and Donizetti-had ever attempted. The choral writing was stronger, the general style more impassioned. Already Verdi was using his subsequently famous technique of writing sprightly, almost gay tunes for the grimmest situations and somehow getting away with it. Nabucco's weakness is that it has in its score little dramatic unity and that it tends to bog down in mere declamation ("It's one of those stand-up-there-and-sing operas," says Baritone Cornell MacNeil...

Author: /time Magazine | Title: Music: Pre-Vintage Verdi | 11/7/1960 | See Source »

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