Word: bellocchio
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Dates: during 1980-1989
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...MOST INSISTENT presence in Marcc Bellocchio's Leap Into the Void is the director himself. He is almost tangibly there in the background of each heavily symbolic scene, shaking a first at reality. All too often, however, one also suspects that he is biting his thumb at the audience. It is not that he refuses to communicate. The themes--madness and sanity, meaning versus nihilism--present themselves at every turn. It's just that their hammering symbolism and anti-realism become tedious after a while. The director, it seems, is almost coercing one to interpret first, watch later. But unless...