Word: belonging
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Joanna Newsom “Ys” (Drag City) 5 Stars Joanna Newsom belongs to that select group of musicians about whom it is impossible to be neutral: you either love her or you hate her. Her debut, “The Milk-Eyed Mender,” divided listeners with its tinkling harp, surreal lyrics, and, above all, Newsom’s lilting, often childlike, voice. “Ys,” her sophomore effort, only accentuates her most challenging qualities—and in doing so achieves perfection. A mere five songs in length...
...Kyoto Protocol on the national level. On Sunday, the Undergraduate Council (UC) will vote on whether this resolution will appear as a referendum on next month’s UC presidential election ballot. Although putting the measure to a student vote is well-intentioned, the referendum does not belong on the ballot this fall...
...only glum faces in the art world belong to museum directors, who because of a new tax law may have a harder time obtaining these treasures. Tucked into the Pension Protection Act, which President Bush signed into law in August, the law imposes stricter limits on the popularly used method by which art collectors donate their works to museums. In the past, collectors would often hand over partial ownership of a painting--usually from 10% to 20%--and take a tax deduction for an equivalent percentage of the appraised value. The write-off on subsequent donations could rise each time...
Call Dick Cheney for questioning about his role in why we are fighting in a place we don't belong in. I think that would seriously discipline--to indulge in powerful language here--the other warmongers and profiteers. Just grill him under oath...
...Criterion has a gift for pairing films that belong together. One example is its release of Maxim Gorky's play The Lower Depths as filmed by Renoir in 1936 and Kurosawa 21 years later. Another is its dual set of The Killers, both the 1946 Robert Siodmak original of Hemingway's story about a man who welcomes his own murder - it's Burt Lancaster's sleepy-eyed, long-muscled film debut - and Don Siegel's hyped-up 1964 remake that was made for TV but too violent for broadcast...