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True culture, which no man has yet possessed, would be made up of two elements: belong to the masses and mastery of the language...

Author: By Peter M. Shane, | Title: The Voices of Children | 4/15/1972 | See Source »

Because the question of religious affiliation has been kept out of recent U.S. censuses, the current Jewish population of the U.S. can only be estimated: about 6,000,000. Roughly half of U.S. Jewish families belong to synagogues, and the three major groups-Reform, Conservative, Orthodox-now probably share that membership in approximately equal thirds. Only a massive Jewish population survey now under way will tell Americans just how Jewish they really...

Author: /time Magazine | Title: Religion: Who's What in Jewry | 4/10/1972 | See Source »

...York City sanitationmen follow DeLury's lead for, over 37 years, they have come to trust him; they know he will secure the best possible deal for them. The NYUSA is a "voluntary membership association" and yet all 11,333 sanitation workers belong. Even when there is some uncertainty, the members heed DeLury's advice. The best example of this faith is the NYUSA's support of Lindsay during his re-election campaign...

Author: By Robert Decherd, | Title: Steering a Tight Ship in a Sinking City | 3/25/1972 | See Source »

...chasing gamboling nymphs around the old yacht. Playboy fiction often features the best names-Vladimir Nabokov, Graham Greene-though not too often their best work. Playboy interviews, alertly conducted with subjects worth talking to-Saul Alinsky, Charles Evers-are the magazine's quality product. But they seem to belong to another world: the real one. Playboy, alas, has become the voice of sexist Middle America, and Hefner its Archie Bunker. When Playboy ventures into the '70s, it is with tokenism -a modest amount of pubic hair on his Playmate and four-letter words in his prose...

Author: /time Magazine | Title: The Press: Cupcake v. Sweet Tooth | 3/20/1972 | See Source »

Though the subject might better belong to the late show or daytime TV, author Liz Coe has written a play that is clever, fast-moving and never tedious. Director Emily Mann has done some nice things too. Her opening is particularly striking, with Casey a backstage silhouette pacing anxiously before she has to come out on stage and do her routine. Mann has skillfully used John Caruso's recorded music to raise the pitch of melodramatic tension during the blackouts. And on the most part the cast was fine...

Author: By Whit Stillman, | Title: Matador | 3/18/1972 | See Source »

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