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...Landing on the Sun, Michael Frayn's new novel, starts and ends with a pair of hands. Brian Jessel, the narrator, describes the actions and qualities of the hands, and his description is impersonal and efficient. We learn subsequently that the hands belong to Jessel, but it seems that he never understands this fact, nor its reflection on himself: the banality of his life is so great that he doesn't seem to notice that he is alive...

Author: By Daniel N. Halpern, | Title: Straight to the Heart of the Sun | 2/6/1992 | See Source »

...hotel by an ex-girl friend. Now, says the Rev. Abraham Woods, one of the civil rights veterans who has championed Arrington's cause, "they're out to destroy this fine mayor. They have a Klan mentality. They think they can treat blacks the way they want to. They belong to the old school...

Author: /time Magazine | Title: Civil Rights: Let Me Out of Here! | 2/3/1992 | See Source »

...Women do not `belong' at Harvard-Radcliffe asdo men," says the document. "The all-male finalclubs offer a wonderful opportunity for men togain social cohesiveness. In order to gain thisopportunity for ourselves, we plan to create aplace run by women, built by women and for thebenefit of women...

Author: By Deborah Steinberger, CRIMSON STAFF WRITERS | Title: RUS Objects to Alleged Creation of Social Club | 2/1/1992 | See Source »

Despite this emphasis on creativity, Pottow says the band has "a diversity of musical talent" noting that a number of band members also belong to the Harvard/Radcliffe Wind Ensemble. Potential members must audition with faculty director Tom Everett before being admitted to the band...

Author: By Cisca Mok, CONTRIBUTING REPORTER | Title: Offbeat Band Marches On | 1/30/1992 | See Source »

...murderous riot seems almost unimaginably quaint. But in his witty and poignant evocation of the madness of 1849, TWO SHAKESPEAREAN ACTORS, playwright Richard Nelson slyly suggests parallels to our era's battles over supposed Eurocentric cultural imperialism. The play's underlying debate: Is art universal, or does it belong exclusively to its nation of origin? Nelson touches on these matters in glittering moments rather than digging in with Shavian relentlessness. He focuses on three actors: William Charles Macready (Brian Bedford), the English Macbeth, a man with no life save work and drinking; Edwin Forrest (Victor Garber), the American Macbeth...

Author: /time Magazine | Title: Theater Double, Double | 1/27/1992 | See Source »

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