Word: belongs
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...uneasy with Luce. They were not on speaking terms for the most part during the last year of Hadden's life. Trust and loyalty were so important to Hadden. He was vulnerable. Despite being so charismatic and so popular, he had an inner feeling that he didn't really belong, that he was an eccentric person, and he always felt lonely within that no one could truly understand him. So Luce was somebody he was able to form a deep bond with because they had such a close intellectual connection which, for both Hadden and Luce, was the most important...
...Islamic fundamentalism; with confrontational people who deny Israel's right to exist and whose violently anti-Israel attitudes overlap with anti-Semitism in such a way that it's hard to tell which animates which. Radical clerics and the people who came up with the Holocaust cartoon exhibit belong to this ideological minority, not my relatives...
...cameras were rolling in his attic office on the via Borgonuovo as the designer was carefully describing his power position in the fashion world to Estelle Colin, a French television journalist preparing an hour-long documentary on Armani. OK, so navy blue (and also beige) do essentially belong to Armani in fashion terms, especially during his heyday in the '70s and '80s when, as he puts it, he "gave something to women who work." And his show on Monday was a success precisely because he went back to those old blues and whipped them up in a more casual, relevant...
...rieure des Arts Décoratifs, his work has centered around the idea of "image." By that, he doesn't mean simply photographs, posters or films, though lots of Hollywood examples turn up in his conversation. "Image is imaginary," he says, "right?" And to whom does the image belong? Celebration Park opens with a giant neon sculpture saying, "I do not own Tate Modern or the Death Star." Other neon signs, all beginning with the words "I do not own," follow, disavowing possession of such cultural icons as Charlie Chaplin's Modern Times and John Cage's noteless musical composition...
...voice without permission, how she sued - and won. But at the poignant frontier between image and reality, memory and identity, Dolène recalls that when she gave her voice to Disney's animated princess, "I was Snow White ... it's my voice, but it doesn't belong to me anymore." Of course, Huyghe's work is not to everyone's taste. France's Le Monde newspaper, rarely afraid to address complexity, conceded that his "Celebration Park" defied all definition. That's fine with Huyghe. "We all play the binary," he says, referring to the easy recourse of seeing things...