Word: belshazzar
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...play soon sounds a strongly optimistic note with a stately, cymbal-punctuated procession behind Belshazzar's "comely" Queen ("She will bring forth the unknown prophet"), moves to a dramatic climax as Darius' soldiers march on Belshazzar's court. The remainder of the play traces Daniel's betrayal by Darius' advisers, his escape from the lions' den, his final vision of the time when the "holy one comes/The most holy of the holy," and an angel announces "Christ is born." One of the play's engaging qualities is its childlike mixture of varying emotions...
...doctored stories themselves had little effect. Councilmogul Al Vellucci, however, did sell his yacht upon reading about the Charles River parking lot. Balthazar Ali Khan called in to report his name was spelled Belshazzar. "Mene, mene, tekel upharsin," he warned...
...captivity.* The book's religious message is swaddled in what Hollywood calls "production values," e.g., a 3-D tour of Nebuchadnezzar's Palace of the Hanging Gardens in Babylon, the orgiastic rites of a harlot votary of the goddess Ishtar ("Her breasts were encased in golden bowls"), Belshazzar's feast at which a disembodied hand dooms King and country with the famed handwriting on the wall...
With O'Hanlon gone, a Camp Hill (Pa.) grandmother and Bible student, Mrs. Catherine E. Kreitzer, kept alive the suspense of The $64,000 Question. She got by the $8,000 question by naming in order the Aramaic words in the "handwriting on the wall" at Belshazzar's feast ("mene, mene, tekel, upharsin"). Mrs. Kreitzer will decide this week whether she will go for the $16,000 question...
...famed Sir William Walton, 52, last week unveiled his first opera, Troihis and Cressida, at London's Covent Garden. The melodramatic plot (of amorous scheming and betrayal in ancient Troy) was lusty, but the heavily sweet music resembled Walton's lyrical Viola Concerto more than his uproarious Belshazzar's Feast. The London Times called it "a great tragic opera," and the Daily Express hailed "the proudest hour for British music since the premiere of Benjamin Britten's Peter Grimes." Sir William made his own evaluation: "It won't please the highbrows . . . no atonal stuff." Moreover...