Word: belson
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Dates: during 1960-1969
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...motorcycles crossing the Southwest are quite marvelous; but the LSD sequence is predictable-lots of fish-eye shots, weeping, and intimation of death-and boring, and doesn't do justice to the drug (compare Conrad Rooks' sublime hallucinations in Chappaqua or in any film by Jordan Belson). Hopper also has an irritating editing affectation: when indicating the passage of time he'll cut two frames of the next sequence in twice at the end of the preceding scene. Real avant-garde...
...motorcycles crossing the Southwest are quite marvelous; but the LSD sequence is predictable--lots of fish-eye shots, weeping, and intimation of death--and boring, and doesn't do justice to the drug (compare Conrad Rooks' sublime hallucinations in Chappaqua or in any film by Jordan Belson). Hopper also has an irritating editing affectation: when indicating the passage of time he'll cut two frames of the next sequence in twice at the end of the preceding scene. Real avant-garde...
SHERIFF WHO?? (NBC, 8-8:30 p.m.). A satiric comedy with a constantly changing cast of sheriffs, as one after another is shot or run out of a Texas town aptly named Blood. Dick Shawn, John Astin and Jerry Belson take their lumps in the pilot, "sneak preview...
...Jordan Belson, 37, will let almost no one (but foundations) see his movies unless they come to his studio in San Francisco for private screenings. His work is a brilliant arrangement of patterns of music, light, and color, a world of flashing pinpoints, symmetrical dots and fiery globes. "There is a crucible into which all phenomena can be resolved," says Belson. "If any medium can accomplish this, I am convinced it will be the film. My work penetrates deeper. It opens the doors to a universe that isn't even considered by people working in the medium...