Word: ben
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Dates: during 1940-1949
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Perilous No. 16. Even Ben Hogan's iron jaw rattled at the sight of it. The tee is a rocky promontory jutting out into the Pacific Ocean. The next sight of land is another rocky promontory 192 yards down the California coast; in between, foaming breakers crash distractingly on the rocks. Hogan, no man to let salt water scare him, promptly overdrove the green; several of his fellow pros-including Jimmy Thomson and Ralph Hutchinson-dunked their first ball into the ocean...
...that Peck virtually never goes out evenings because he is terrified at the possibility of running into some of the community's better-known Bright Boys. "I am short of the old I-am," he explains. "When I get mixed up with Nunnally Johnson or Herman Mankiewicz or Ben Hecht, I am struck dumb. I feel more comfortable in front of a camera." Actually, the very sound brain in his head doesn't run either to wit or to highbrow intellectual discussion. Alfred Hitchcock has said of him that he is probably the most anecdoteless man in Hollywood...
Volpone (Siritzky International), rare Ben Jonson's rarest spectacle, has been somewhat simplified for the screen by Adapters Stefan Zweig and Jules Romains. In reviving Jonson in any form they have had to combat what T. S. Eliot calls a "most perfect conspiracy of approval." In the general willingness to grant Jonson all manner of dull virtues, it has been generally overlooked that (in Volpone especially) he abounds in the lively vice of showmanship. This film exaggerates that vice. The result is magnificent mummery, set and played with tremendous style...
...Ben-Hur earned Wallace only $300 in the first seven months. But nine years later, in 1889, 400,000 copies had been sold. In 1913, Sears Roebuck ordered a million copies. Just before the play was produced, Charles Frohman said to Producers Klaw & Erlanger: "Boys, I'm afraid you're up against it-the American public will never stand for Christ and a horse race in the same show." The play ran for 21 years...
...great scenes of the play-the dim, enormous interior of the Roman trireme, the wreck, and the struggles on machine-tossed waves, pale moonlight, the cataclysmic race, with two real chariots, each drawn by four Arabian horses, wheels rumbling and swaying, the incredible collision and Ben-Hur's triumph-all this excited and continued to excite the public...