Word: benching
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Harvard freshmen without friends at Yale won’t have to sleep on a park bench during this year’s Harvard-Yale weekend. While the upperclassmen Houses have always been paired with residential colleges at Yale, this year, for the first time, freshmen dorms will also be paired with upperclass Houses and their respective Yale sister colleges, according to Dean of Freshmen Thomas A. Dingman ’67. Because Yale’s residential college system includes freshmen, Dingman said adding Harvard first years to the mix makes sense. Prior to the change, freshmen...
...then a down-on-one-knee shot that lofted past Dartmouth’s goaltender and put Harvard up 3-2 at 14:19 in the second. That, said Big Green coach Bob Gaudet, “was a big-time goal.” And behind the bench across the ice? “You kind of shake your head and say, ‘Thank God he’s on my team,’” Donato smiled. That tally was the game-winner, but Du wasn’t done. With just over five...
...really felt the need to score. We had good pressure in the first half, but it wasn’t enough.” With the Crimson finally putting together series of plays instead of headers that turned into dead balls on the field, the bench stood up and the crowd loudly rallied behind a team that look like it might reverse its recent losing streak. But Princeton captain Darren Spicer quieted the bleachers with a header past Johnson to tie the game, 1-1. “If we had gotten the second goal it would be been...
...mine.” While the senior led the defensive domination of the game, two freshmen broke Harvard out of its recent offensive struggle. Freshman forward Erin Wylie netted two goals, giving her a team-leading five tallies for the season, while freshman forward Zoe Sarnack came off the bench to score her first goal of the season. “[Not scoring] has been one of the most frustrating things,” Wylie said. “Coming off a game like this, we feel better—it gives us more confidence we can put the ball...
...boat that will carry them to the slave ship offshore. Eyre Crowe's Slaves Waiting for Sale, Richmond Virginia (1861), is less overt in its condemnation of the trade. Composed from a sketch of a real slave market, it shows neatly dressed women and children sitting on a bench. The normality of the scene - one of the women is even smiling - packs a punch. A contemporary critic claimed "the appalling guilt of that accursed system was never more successfully depicted." However progressive that message may have seemed at the time, the picture portrays its black subjects in circumstances viewers then...