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...performers including 'N Sync, Britney Spears and R. Kelly. All these acts have posted huge, headline-grabbing first-week sales this year. 'N Sync's album "No Strings Attached," despite pans from the critics, sold 2.4 million copies in a single week, more than doubling the old industry benchmark. Now the folks at Jive are looking to top that with Backstreet...

Author: /time Magazine | Title: Where the Boys Are | 11/21/2000 | See Source »

...council's partnership with the Harvard Coop this year, which listed Coop prices as a benchmark, allowed students to compare book prices and gave the council a $750 donation to promote the alliance...

Author: By Catherine E. Shoichet, CONTRIBUTING WRITER | Title: `Not the Kind of Money We Need': Popular UC Books Program Can't Save Council From Budget Shortfall | 11/13/2000 | See Source »

Green Party candidate Ralph Nader did not perform as well he wanted, receiving 3 percent of the popular vote and failing to meet the 5 percent benchmark he needed to give his party federal matching funds in 2004. But his margins in several key Western states helped deprive Gore of needed strength...

Author: By Edward B. Colby, CRIMSON STAFF WRITER | Title: Deadlock: Recount Ordered | 11/8/2000 | See Source »

...activism grew up during the Vietnam War and the anti-apartheid struggle. Today some 150 mutual funds screen out politically incorrect companies. But more than anyone, Domini made ethical investing a mass-market option. Ten years ago, with two partners, she set up the Domini 400 Social Index, a benchmark for responsible portfolios. Its companies must pass muster on 140 issues, ranging from toxic-waste fines to diversity in top management. Yet Domini has kept pace with the S&P 500--a feat managed by fewer than a third of other mutual funds...

Author: /time Magazine | Title: Ethical Investing: How Green Is Your Money? | 10/16/2000 | See Source »

Although Kid A is indeed a testament to the triumphs and pitfalls of ever-changing, ever-challenging human/technology symbioses, it is also an autobiographical benchmark on Radiohead's evolutionary path. 1993's Pablo Honey saw the Oxfordians feel their way through the essence of being a so-called alternative band in a glut of Seattleites. Zeitgeist-capturing grunge-guitar riffs, perennial themes of love and loss, and charmingly obtuse self-loathing (remember "Creep?") earmarked the band for their potential in the mainstream music scene, and, more importantly, heralded the band's existence as a self-aware musical entity...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Future Shock: 'Kid A' | 10/6/2000 | See Source »

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