Word: bended
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Dates: during 1960-1969
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...Kennedy administration would probably bend over backward to avoid the appearance of evil lest subsequent Catholic candidacies be forever compromised...
...head and blocking his nostrils alternately while he breathes. But in a short time he will feel the physical benefits of the practice ("a general unwinding, a euphoria") as well as the spiritual ones. After ten minutes in the Pole position, followed by another ten in the Full Backwards Bend or Reintegration position, "when breathing has become so slow and deep that it may seem as if the breath reaches the base of the intestines . . . there is no difficulty in attaching yourself wholly to the subject of prayer. I say 'wholly,' for you feel truly 're-collected...
...stage within a surface of giant potato chips. This adequately serves the exotic Mediterranean Bermuda that Shakespeare specified for The Tempest; but it proves less fitting for Tweifth Night. Director Jack London, who has previously shown a penchant for gimmicking up his productions, has really gone 'round the bend this time, and must shoulder almost all the blame. I bet Shakespeare wishes he'd never added the subtitie "or, What You Will" to this play. At any rate, London has turned Tweifth Night into a comedy of errors. Imagine, if you can, a neoionic tempietto on stage right, with...
...slight, dark Italian prelate arrived in Manhattan without publicity, journeyed to South Bend, Ind. to receive an honorary LL.D. from Notre Dame (at the same time that Ike got his), then visited Chicago, Boston, Philadelphia and Washington last week before taking off for Brazil. Everywhere he met U.S. cardinals and top members of the hierarchy; his reception ranged from Boston's outdoor banners and hi-fied hymns to a dinner given for him in Washington by the Most Rev. Egidio Vagnozzi, apostolic delegate to the U.S. The visitor: Giovanni Battista Cardinal Montini, 62, Archbishop of Milan...
...girl washing her hair as Soap in Her Eyes. He did Three Caryatids Without a Portico, a Water Carrier with a pitcher for a head ("Just a jughead, I guess"), and "a vase that takes its head off." Hugo Robus' figures have a fluid charm that makes them bend to unheard melodies and swirl to soundless rhythms. But only in the last five years have these figures brought him enough to live on, and the Whitney show is the biggest one he has ever had. "My wife," he muses, "would have loved this show...