Word: beneath
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Inside, Roman Catholic Latin Patriarch of Jerusalem Alberto Gori carries an olive-wood Christ child, accompanied by priests and deacons with swinging censers, acolytes and choir boys with long, flickering candles. The procession makes its way down into the Cave of the Nativity beneath the church, and there the figure of the Child is laid on a heap of straw in the place where tradition says the manger stood...
...cardboard crèches, turned out by the thousands in busy factories, and there are others whose making is a joyful family tradition; one Madrid family lives in an apartment so small that their crèche completely fills it; they haul it up to the ceiling and sleep beneath. There are crèches in churches, in public squares, even in bars-a notable one is located in the English Bar in Nazareth...
...says Broadway Producer David Merrick (Fanny, La Plume de Ma Tante), "depend on a good review from Atkinson." Says Producer Alfred de Liagre Jr. (J.B.): "In terms of influence, Brooks is worth any four of the other critics." These awed testimonials go to a man who shifts uneasily beneath the burden of his influence ("Power bothers me; I'd rather not have it"), and who says he got into drama criticism for purely mercenary considerations: "I got interested in the theater mainly, I'm afraid, because you got free tickets when you wrote about...
...gifted than Anouilh at creating little dialectical monologues or variety turns, at giving a mockingbird's-eye view of a given subject. Dotted with bright remarks, The Fighting Cock half a dozen times foams up into pointed or picturesque little scenes. But instead of a sense of fermentation beneath the foam, there is a good deal of dramatic flatness. It is not so much that the play finds no destination as that it fails to dramatize the very lack of one. What The Fighting Cock needed, in the face of an all but preordained intellectual stalemate, was a greater...
Kneepads, shin guards beneath her stockings, and sponge rubber tucked under her garter belt have not been enough to protect Patty from assorted cuts, bruises and a chipped tooth. Similar padding from ankle to bustle have not saved Anne from equally painful accidents. "The impulse during rehearsal," says Director Arthur Penn, "was to set the fight scene, to plan every move and response." But then he saw his stars at work. Once Actress Bancroft had persuaded Patty not to hold back ("Naw! You come on and hit me!"), the scrap quickly developed into impromptu reality, a little different every night...