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Word: beneath (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...pale face leaning over the bow. It dwarfed everything on the stage and threatened to sail straight out into the audience. Svoboda and Everding even had the audacity to stage the finale the way Wagner wrote it (most producers are afraid it will look corny), with the ship plunging beneath the waves and Senta and the Dutchman walking out of the sea and into the glowing red sunrise...

Author: /time Magazine | Title: Opera: High-Flying Dutchman | 8/15/1969 | See Source »

...BENEATH THE mutual sneering across the generation gap, which is all part of the fun, is there anything more to the petulant plaint of the younger generation? Why is it so difficult to open up and trust somebody "over thirty"? What happens to people when they get to be thirty, anyway...

Author: By Jim Frosch, | Title: On Talking to People Over Thirty | 8/15/1969 | See Source »

...battle, four villains ?and one horse?lie punctured and defunct upon the ground. "Dammit, Bo," says Cogburn to his mount as he lies pinned beneath it. "First time ya ever gave me reason to curse...

Author: /time Magazine | Title: Cinema: John Wayne as the Last Hero | 8/8/1969 | See Source »

...Miss Reid can no longer pass for a young woman in her midtwenties. Masha is also the most complicated of the three sisters. Miss Reid has no particular trouble conveying the blunt, even coarse speech of Masha, but she has not sufficiently plumbed the poetic sensitivity that lies beneath. It is not a bad performance; it just leaves a great deal yet to be explored. The problem of Masha's and Vershinin's drum-roll exchanges ("Tram-tam-tam ... tra-ra-ra"), the shortest mutual love scene ever written for the stage, has been effectively solved by substituting complementary phrases...

Author: By Caldwell Titcomb, | Title: Chekhov's 'Three sisters' Admirably Staged | 8/5/1969 | See Source »

...Brazil made by an Italian, Gianni Amico, for Italian television. But the content of Tropici is primarily political: the effects of foreign exploitation on a Third World nation. Amico has correctly realized that traditional narrative, no matter how portentous, is inadequate for describing a social reality that lies beneath surface story lines. Therefore he has interweaved his narrative with a conventional documentary which attempts to set Miguel's story in context, to explain in party why Miguel is unskilled, why a country so rich in resources has so little for its people. The answer lies in Brazil's history...

Author: By Joel Haycock>, AT THE ORSON WELLES AUGUST 3 THROUGH 5 | Title: Tropici | 8/1/1969 | See Source »

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