Word: beneath
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Dates: during 1970-1979
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...making the characters anything more than symbols, points on the line between evil white and primitive good. A few scenes of the ghetto in which the Aborigines live are lifeless, the city has no character, and the film disintegrates into stock effects. Chamberlain discovers a secret Aborigine city beneath Sydney, and learns that an ancient white civilization was destroyed by a giant tidal wave, and that another one is due very soon. Some sort of eternal justice will destroy the white man's injustice. At the very end of the film, Chamberlain escapes from the underground city only to look...
...reasons given for its appearance aren't too terribly plausible. There is a magnificent scene which sets up the wave, the highpoint of the film: Chamberlain is in his car and daydreams that the wave has hit and as he looks outside he sees well-dressed pedestrians floating beneath the blue-gray water, groceries floating slowly upwards. But this scene occurs three-quarters of the way through the movie, and it is all downhill form there. The vague moral dilemma of Weir's explanation is unconvincing. But then again, how could it be convincing? One is supposed to empathize with...
...Roughly 80 miles off the coast of the island of Hispaniola, the wooden ship ground into a coral reef known today as Silver Shoals. The admiral and much of his crew floated to shore on rafts lashed together from the debris, but the ship's rich cargo sank beneath the waves. Just 46 years later, Colonist William Phips, born of a poor Maine family, found the Concepción and hauled up 32 tons of silver from the barnacle-encrusted wreck. In return for one-fifth of the find, a grateful King James II of England knighted his noble...
...However, beneath his first astonishment, the gallery-goer can feel an obscure troubling of dissatisfaction with this work. In an articulate, chummy interview published in the catalogue that accompanies the museum show, Meyerowitz cites the painter Edward Hopper among predecessors who have taken the Cape for a subject. The comparison is instructive: Meyerowitz has, like Hopper, great feeling for the season, weather, time of day in the scene he records, and has a similar ability to make the commonplace seem monumental. Like Hopper, he admirably resists any easy, ironic comment about the lives that inhabit his terrain, but he lacks...
...great dark vault beneath the dome of New York City's Hayden Planetarium is thick with silence. Schoolchildren who a moment ago were babbling and twitching like a flock of noisy starlings now sit jammed in their seats, motionless, their young eyes straining to see. Suddenly the ebony hemisphere above them gleams with fire: the planets, their satellites and some 4,000 stars begin marching across the heavens toward day break. The audience sucks in its breath. A child grabs the arm of the teacher next to her as she stares at the sky. For it really seems that...