Word: beneath
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...which is said to have healing properties. Inevitably, there's also a boutique selling the Blue Lagoon's very own cosmetics, and an excellent seafood restaurant. Warning: stray too close to the lagoon's source while having a soak, and you'll quickly learn just how hot Iceland is beneath its frosty surface...
...their political claim to the sacred place. At the center of the current controversy is Isam Awwad, chief Palestinian architect for the Haram al-Sharif and the man in charge of the reconstruction within the Mount. He has long feared Israel would tunnel into the massive, unused chambers beneath the surface of the Mount. "I am an architect, but also I am a Palestinian who is part of this conflict," Awwad told Time. "So I made an initiative" to convert those chambers into mosques. In 1996, Awwad began renovating an underground hall called Solomon's Stables...
...school and members of terrorist group Jemaah Islamiah. But after a special plea by an Indonesian-Muslim journalist, Ba'asyir approves from jail a visit by a group of Australians - who soon find themselves on his daughter Nanik's floor, lunching on fried chicken as veiled women move around beneath drawings of English castles and shelves stacked with children's toys. Her father is well, Nanik says politely through an interpreter. His faith sustains him. She waves the visitors off with smiles. Down the road at Ngruki, amid a labyrinth of laneways, students in the school grounds are deeply wary...
...there's something about her Vanity Fair that doesn't quite work. There is no depth beneath its bright surfaces, no potent emotional undercurrents. One thinks of Stanley Kubrick's Barry Lyndon, also based on a Thackeray novel about an ill-born social outsider on the rise. It too was a beautiful film, but it did not merely record a lost world; it peered at it?as if the fold of a dress or the knot of a cravat might possibly contain the secret of life. Or at least a useful clue to correct behavior...
...there's something about her Vanity Fair that doesn't quite work. There is no depth beneath its bright surfaces, no potent emotional undercurrents. One thinks of Stanley Kubrick's Barry Lyndon, also based on a Thackeray novel about an ill-born social outsider on the rise. It too was a beautiful film, but it did not merely record a lost world; it peered at it--as if the fold of a dress or the knot of a cravat might possibly contain the secret of life. Or at least a useful clue to correct behavior...