Word: benignity
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Dates: during 1970-1979
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...Annual Report, President Bok acknowledges that dipping into government coffers has been useful but the funds have also led to a dependency which Bok does not view as entirely benign. In the past decade, he writes, the government has assumed an increasingly active and direct role in the affairs of private universities. Because they could not survive a cutoff of funds, the institutions have had to tolerate "unwise" and "intrusive" regulations in such areas as privacy of student records, affirmative action, retirement pension plans and protection of human subjects in scientific research...
...ignores the history and simply lumps scientific regulation with the other undesirables. He comments specifically only once: "Decisions about the direction of research should be left to individual investigators rather than deans..." The phrase, "direction of research," is vague and in another context the statement might seem benign. But in the midst of Bok's complaints it could be interpreted as a slap at the NIH-mandated review process and as a boost to the misguided notion that "freedom of inquiry" guarantees to all scientists the right to do as they please with their experimental subjects. Not that Bok accepts...
...show covers 25 years-from Ernest Hamlin Baker's traditional tempera of a benign Winston Churchill, the "Man of the Half Century" (Jan. 2, 1950), to an atmospheric oil of a saturnine King Faisal, the Man of the Year (Jan. 6, 1975), by Bob Peak. Anwar Sadat's head is perched on sphinxlike paws in a pencil-and-ink sketch by Isadore Seltzer (May 17, 1971), while Peter Max produced a comic mixed-media collage for our "Is Prince Charles Necessary?" cover (June 27, 1969). The brooding poet Robert Lowell is given a crayoned zigzag crown of laurels...
Many in the spectator-sex industry believe only a few temporary excesses are keeping the porn controversy alive. They expect porn to crest and ebb and a largely benign boredom to set in. Says the newly mellowed Hugh Hefner (who denounces his fast-rising competitors, Penthouse and Hustler, as "gynecological gazettes"): "We are very much in a stage of transition sexually, and there is bound to be some exploitation...
...Puritani contains scarcely any drama at all. What plot it has concerns two noble lovers who are temporarily made unhappy by conflicting allegiances to Cavaliers and Roundheads in 17th century England. The opera unfolds like a torpid, benign Lucia di Lammermoor: it has a hero who prefers politics to love, a heroine who goes mad. By the time all turns out for the best, it is hard to remember what went wrong: three scenes contain no action of any kind...